William Metcalf (1947 - * Taos, NM)

''Early Morning, Taos Pueblo'' Watercolor on paper under glass Signed and dated lower right: Wm. Metcalf '83, titled lower center Sight size: 10.25'' H x 14.25'' W Provenance: Private Collection, San

"Evening Shadows", lake surrounded by Texas bluebonnets oil on canvasboard signed and dated lower right: Ruthven / 2003 and with the copyright symbol, titled on the backing paper verso 9" H x 12" W Pr

William Acheff; Taos, NM; Oil/Canvas "Maize & Pot" Signed and dated 1983; custom gold leaf frame. Good condition. Height of art 6 inches (15.24 cm.) X width of art 10 inches (25.4 cm.).

MARY SHAFFER (b. 1947) "Ice Tong," Taos, NM, ca. 1997 Iron, slumped glass Unmarked 10" x 5 1/2" x 5" Provenance: Holsten Gallery, Stockbridge, MA, 1997. Copy of receipt available.

Early 20th C. oil on canvas, portrait of Native American man, signed lower right J.H. Sharp. Prov. descended through family who collected art at street fairs in Taos, NM around the 1920’s. Unfra

Early 20th C. oil on canvas portrait of Native American chief, signed lower left J.H. Sharp. Prov. descended through family who collected art at street fairs in Taos, NM around the 1920’s. Unfr

(3)Dennis Haggerty pr watercolors, Taos, NM, lake scene and night scene, largest 4-3/4" x 7"; with another watercolor on paper, storm clouds over mountains, probably Taos, NM, 4" x 6-1/2" sheet, frame

ANTHONY ZIPPRICH (AMERICAN 20TH CENTURY), PASTEL CRAYON, "GOVERNOR SANTIAGO MARTINEZ, PUEBLO OF TAOS, N.M.", SIGNED AND TITLED. SIGHT 14 1/4 X 9 1/4"; FRAMED AND GLAZED-21 1/2 X 16 1/2" PROVENANCE: SA

STUDENT OF EMIL BISTTRAM, OIL ON CANVAS, "COMPOSITION IN RED, GREEN AND WHITE", SIGNED AND TITLED VERSO "PAINTED AT EMIL BISTTRAM'S SCHOOL IN TAOS, NM, SEPT 1943". 18 X 24"; FRAMED 21 1/2 X 27 1/2"

GUSTAVE BAUMANN (1881 - 1971);Color woodblock print, "Taos Placita," Santa Fe, NM, 1947; Matted and framed; Pencil signed, titled, dated, and numbered I/125/47 with chop mark; Image: 9 1/2" x 11";

Portrait of a Native American man with bow and arrows Unframed oil on panel Signed lower right: J. H. Sharp 23.75" H x 16.25" W Provenance: Private Collection, Midland, TX.

Council of the Gods, 2004 Mixed media on canvas Signed lower right: Tony Abeyta; titled and dated on a gallery label affixed to the verso of stretcher 20" H x 30" W Provenance: Adobe Gallery, San

Young Indian girl with a pot Oil on canvas laid to canvas Signed lower right: J.H. Sharp 13.5'' H x 14.5'' W Provenance: Private Collection, Temecula, CA. Notes: Framed size: 20.5'' H x 21.5'' W x 2.5

"Taos Mountain, Golden Cottonwood, Pink Adobe," 1948 Oil on panel Signed lower right: Phillips, signed again, titled and dated verso: 7-7-48, with alternate title on gallery labels affixed verso: "Aut

Shepherd with his flock at Pas de Calais, France Oil on canvas laid to masonite Signed lower right: E. I. Couse 20'' H x 24'' W Provenance: The artist; Mr. Seely, manager of the Lester Studio Building

''Legend of the Snake Woman'', signed and dated lower right: DE Brett / 1962, titled on a gallery label affixed verso, oil on masonite, 25.5'' H x 18.25'' W, est: $3000/5000 Provenance: Manchester Gal

Rare Patrocino Barela Wood Carving, depicting 6 figures, signed "Pat. Ba" on the underside together with a spiral bound book about the artist (Patrocino Barela Taos Wood Carver) and other ephemera Use

The Pillar of Light Pencil on cream paper laid to Masonite under glass Signed lower left: Bisttram; titled by repute Image: 18" H x 13.5" W; Sight: 19" H x 14.5" W

Native American seated on a red textile Watercolor on paper laid to board under glass Signed lower left: J. A. Imhof Sight: 25.25" H x 21.25" W

''Christmas Eve Processional at Ranchos Church'', signed lower left: Chas. H. Reynolds, signed again and titled verso, titled again and inscribed on the recto mat lower right: Ranchos de Taos, N.M., o

"Chitsa (State I),"1979 Color lithograph on paper under Plexiglas; Western Graphics Workshop, Albuquerque, prntr/pub. Edition 108/150, signed and dated in pencil lower left: R. C. Gorman / 1980, wit

This is the first of a wonderful pair of gouache and watercolor portraits of Taos Pueblo Indians that Imhof painted in 1929, the year he moved permantently to Taos. The colors are still remarkably fre

This is the second of this wonderful pair of gouache and watercolor portraits of Taos Pueblo Indians that Imhof painted in 1929, the year he moved permantently to Taos. The colors are strong, wtih hig

"Beneath the Cottonwoods" Lithograph on paper under glass Edition of 100, unsigned Image: 10" H x 10" W Provenance: Nedra Matteucci Galleries, Santa Fe, NM; Private Collection, Ouray, CO.