Willie Lucille Reed Rowe, Mission Espirita Santo de

Willie Reed Rowe (Amer., 1914-1986), "Mission Espiritu de Santo de Zuniga", etching, plate created in 1950, this printing completed in 1979, Ed/100, with inscription "Print for Fred"

Willie Reed Rowe (1914-1986), titled "The Alamo", etching from an edition of 100, framed image: 7" x 8", frame: 12.5" x 14.5" Provenance: An Olmos Park, Texas collection Willie Lucille Reed Rowe wa

Willie Reed Rowe (Amer., 1914-1986), "The Alamo", printed in 1979 from plate produced in 1949, etching, with inscription "Print for Fred" (Gordon "Fred" Plank), ed/100 plate:

Willie Reed Rowe (Amer., 1914-1986), "La Bahia (Before Restoration)", printed in 1982 from plate produced earlier, etching, with inscription "Print for Fred" plate: 7 x 8 in., frame:

A Santo de Bulto with an Ivory Head27 1/2” x 9 1/2” x 8”(70 cm x 24 cm x 20 cm)

A Santo De Bulto With IvoryMask And Hands15 1/2” x 5” x 5”(39 cm x 13 cm x 13 cm)

Albertus Magnus (santo) [Pseudo], De secretis mulierum cum commento. Novissime: infinitis pene erroribus emendatus (Al colophon:) Venetiis: Petri Bergomatis solertia, 1508. In-4° (mm 206

Possibly Jose Rafael Aragon + Frank Applegate(1796 - 1862, 1881 - 1931)Santo Nino de Atocha Bulto en Nichowood, gesso, pigment, paper, fabricNicho possibly by Frank ApplegateSanto Nino de Atocha possi

** A portion of the proceeds from the sale of this lot will benefit The Fowler Museum at UCLA **Mexico, ca. 1900. Santo - El Santo Nino de Atocha en Nicho. Wooden nicho made from a recycled box, let

Jose Rafael Aragon(1795 - 1862)Santo Nino de Praga Bultocarved wood, gesso, pigments14 x 5 5/8 x 4 1/8 in. (35.6 x 14.3 x 10.5 cm.) The Paul Rhetts Collection, New Mexico

Spanish school; second half of the 17th century. "Saint Domingo de Guzmán". Oil on canvas. The original canvas is preserved. Frame from the second half of the 19th century, with damages. Measuremen

Fernando Bimonte(Uruguay/USA, 1955 - 2013)Santo Nino de Atochacarved wood, acrylic, stuccosigned verso: F. Bimonte33 1/2 x 22 1/2 x 1 in. (85.09 x 57.15 x 2.54 cm.) Private Collection, New Mexico

A Mexican retablo oil on tin painting depicting Santo Nino de Atocha (Holy Infant of Atocha). The icon is seated with a feather in her hat, staff in one hand and gold container in the other. It is pre

Laureano Atlas (1743 - 1773) Nuestra Señora Del Santisimo Rosarioen la Yglesia de Santo Domingo signed and dated 1759 (lower right) copper engraving on finely–combed cottonBinondo, Manila 30

Heading: (Mexican Imprint) Author: Castro, José de Title: Directorio para Informaciones de los Pretendientes de el Santo Habito de N. Seraphico P.S. Francisco, en que hallaran los padres Commisarios.

FOUR MEXICAN TIN RETABLOSMexican, 18th or 19th century, oil on tin. Laminas/votive paintings, each depicting the Santo Nino de Atocha in varying fashions, consistently wearing the characteristic feath

A De Vestir Santo with Ivory Head andHands19 1/4” x 5 1/2” x 5”(49 cm x 14 cm x 13 cm)

A De Vestir Santo with Ivory Head andHands15” x 5 1/2” x 5”(38 cm x 14 cm x 13 cm)

New World, Spanish Colonial, Mexico, ca. 19th century CE. A sweet wooden santo figure of St. Vincent de Paul. He stands holding the hand of a small child, both wearing robes of a creamy hues with gold

Pre-Columbian, North Coast Peru, Sican-Lambayeque, ca. 800 to 1000 CE. Three silver tweezers, two depicting a Lord with a tumi-like headdress sitting on a reed boat (caballitos de tortora) and drinkin

Willy GUHL (1915-2004) Paire de jardinières diabolo en fibrociment à reception circulaire H : 80 ; D : 45 cm

Mission San Luis Rey de Francia Oil on board laid to board Signed lower right H. C.Ford 10'' H x 14'' W Provenance: Sale: Moran's, Pasadena, CA, lot 62, June, 15, 2010; Private Collection, Seal Beach,

Willy Ronis (1910-2009) Les Amoureux de la Bastille (Lovers at the Bastille), 1959 Gelatin silver print, printed 2003; signed in ink in the margin, titled and dated in pencil and ink and the artist's

Willy Ronis (1910-2009) Les Amoureux de la Colonne, Bastille, 1957 Gelatin silver print, printed 2000, signed in ink in the margin; initialed, dated in ink, titled, dated in pencil and copyright credi