Yong Sin (20 th / 21 st Century) (2), Long-Bin Chen

Yong Sin BEING AND NOTHINGNESS - CONVERSATION V, 1998; BEING AND NOTHINGNESS - HAPPY DAYS III, 1996, two acrylic painting on color photographs, the first signed and dated and titled on frame verso, si

A Christian Liaigre Long Courrier Oak Table Late 20th/Early 21st Century Height 29 x width 76 1/2 x depth 31 inches. Property from the Collection of Mark and Patricia McGrath, Chicago, Illinois

Dan Chen (Chinese-American, 20th/21st century). Bronze, 1998. Height: 4 3/8", Length: 4", Depth: 2 1/2". Bronze frog on a branch by Chinese American artist Dan Chen. Signed within the casting "D. Chen

Jenny Willigrod (20th/21st Century) Long Day Cowgirls, Pastel on paper, Signed lower right. Framed dimensions: H: 42 1/2 x W: 32 in. H: 32 W: 22 in. The absence of a condition statement does not imply

PAIR OF CHROME LAMPS IN THE MANNER OF EILEEN GRAYLate 20th/early 21st century. Long and straight standards turned and coiled around single-bulb sockets.68 1/2 in. height (173.99 cm.)

Nikki Schumann (American, 20th / 21st century). 2 piece art lot. Silkscreen, Plant Lover, signed, dated 1975, titled and numbered 20/30 in pencil in the lower margin, 15 1/4" x 12 1/4" (with frame 22

Auburn, Maine, late 20th / 21st century; unsigned 25 1/2 x 17 1/4 x 20 in. (64.8 x 43.8 x 50.8 cm.)

Second half of the 20th Century. 21 1/2" long. Allard Auction Collection Inv: DSO 44787

Unusual piece. Second half of the 20th Century. 21 1/2" long including leather wristlet. Allard Auction Collection Inv: WED

DANCING WOMEN, 1997, cast bronze with copper patina, signed and dated, from the numbered edition 36, size 14 x 16 x 10†including the Lazy-Susan marble base. Note: weight approximately 35 pounds.

Benyamin Long (20th/21st Century, Israel). Abstract Acrylic Painting on Coconut Fiber Canvas. Signed lower right corner. Measures 25" x 21". Condition: Good

late 20th / early 21st century; 41 inches wide; 21 1/2 inches deep; 38 inches high

Three Woven Trays on Chrome Stands 20th/21st Century Overall height of each 27 1/2 x width 28 x depth 20 inches.

MICKEY MOUSE, hand-painted mixed media 3-D polymorph, signed lower right side, 12 x 15 ½ x 1”, frame 19 ½ x 23 x 2” with Plexiglas.

I LOVE NEW YORK, hand-painted mixed media 3-D polymorph, signed lower right side, 12 x 23 ½ 1”, frame 19 ½ x 31 ½ x 2” with Plexiglas.

GUITAR WITH SKULLS, acrylic painting on electric guitar wrapped with skull tack paper, signed lower left in silver ink, mounted in frame 49 x 23 x 2 ¼” overall, hangs vertical or horizont

PACIFIC DESIGN CENTER, LOS ANGELES; 5455 WILSHIRE BOULEVARD, two acrylic paintings on canvas, each 29 ¼ x 29 ¼” framed. (2)

MARILYN CHANEL No. 5, hand-painted mixed media 3-D polymorph, signed lower right side, 12 x 14 x 1”, frame 19 ½ x 21 ½ x 2” with Plexiglas.

SMALL GRID, acrylic painted metal sculpture, 10 ¼ x 10 ¼ x 2”. From the Collection of Laura Lee Stearns, Los Angeles.

YELLOW CHUKKER STUDY, 1989, acrylic painted metal variegated sculpture, 12 x 14 x 2”. Provenance Kiyo Higashi Gallery, Los Angeles. Sold for $1200. in 1990.

WAVES, two oil pastel paintings on panel, both initialed lower right, 5 x 7” frames 10 ½ x 12 ½ x 1 ½”. Provenance: DRLRM/GALLERY, Los Angeles. (2)

STRENGTH, archival pigment print, signed and numbered 2/20 on artist’s certification, sight 17 ¾ x 25 ¾”, frame 22 ¾ x 30 ¾” with Plexiglas.

TWENTIETH CENTURY FOX FILM CORPORATION; MCI, 1993, a pair of acrylic paintings on canvas, MCI signed and stamped on verso, each 12 x 12”. (2)

SPRING, Cibachrome, signed and dated lower right, numbered 2/40 on artist’s label, sheet 20 x 16”, heavy frame with Denglass, 33 x 29”. Provenance: Skidmore Contemporary Art, Malibu (cur