Hugh Reinagle (1790-1834, New York/New Orleans), "Camp

Hugh Reinagle (1790-1834, New York/New Orleans), "Camp Street 1830," A.H. Nelson print, 1880, presented in a wood frame, H.- 10 1/2 in., W.- 13 in., Framed H.- 12 1/2 in., W.- 15 in.

Linda Lesperance (New York/New Orleans), "Trombone Shorty," 20th/21st c., signed lower right, presented in a wood frame, titled en verso, H.- 20 in., W.-10 in., Framed H.- 23 1/8 in., W.- 11 3/4 in. P

Linda Lesperance (New York/New Orleans), "Little Red Rooster," 20th c., oil on canvas, signed lower right, presented in a wood frame, H.- 24 in., W.- 18 in., Framed H.- 27 in., W.- 21 in. Provenance:

Noel Rockmore (1928-1995, New York/New Orleans), "Paul Ernest," c. 1971, watercolor and ink on paper, signed, titled and dated lower right, with an E.L. Borenstein Collection Label en verso, presented

"Piazza San Marco", a view of St. Mark's Basilica in Venice, mixed media with gold leaf on gesso panel, signed, titled and dated 'Rockmore 76 Piazza San Marco' (lower left), good condition, UV clean,

two children on a garden path, collage with oil and gold leaf on canvas, signed 'Rockmore' (lower left), no fluorescence under UV light, a couple canvas dimples, small area of radiating circular crack

8 9/16" Neolithic Flint Dagger. Denmark. Thin, very well flaked. Excellent symmetry. Ex-Rick Stevens, Hugh Smith (old New Orleans collection). Late Neolithic (3000 BC). Very fine, museum quality. Ster

7" Neolithic Flint Dagger. Denmark. Excellent form. Well patinated. Ex-Rick Stevens, Hugh Smith (old New Orleans collection). Late Neolithic (`3000 BC)

1. The Cotton Plantation Record and Account Book, No. 1 Suitable for a Force of 40 hands, or under, By Thomas Affleck. Fifth Edition. New Orleans: Published by B.M. Norman, 14 Camp Street 1854. A dail

Joe JonesMissouri, New York, New Jersey, (1909-1963)Fish Camp, circa 1940soil on canvassigned lower right, in original frame.Label verso: Associated American Artists16 x 20 inches

James Lavadour (American/Washington, b. 1951) "Dry Camp", 2006 oil on wood panel signed, dated and titled en verso. Unframed. 24" x 29-3/4" Provenance: Cumberland Gallery, Nashville, Tennessee; Privat

Claude-Marie Dubufe (French, 1790-1864), "La Terreur", 1825, oil on canvas, signed and dated mid-left, 21-1/2" x 18". Framed.

Attributed to Norton Bush (American/California, 1834-1894) "On the Magdalena, South America" oil on canvas unsigned; pencil-titled and inscribed en verso. Framed. 17-3/4" x 26-1/2", framed 21-1/2" x 3

James Abbott McNeill Whistler (American/British, 1834-1903) "Nocturne in Blue and Gold - Old Battersea Bridge", ca. 1910-1920 color lithograph on paper board "Franz Hanfstaengl, Munchen, no. 100" blin

Pair of Hester Bateman (1708-1794) Sterling Silver Salt Cellars and Associated Spoons hallmarked London, 1790-1791, fluted and paneled navette pedestal form, with arched handles, reeded rim and base,

John Neagle (American/Philadelphia, 1796-1865, active New Orleans early 1820s) "Portrait of John Wandell (ca. 1790-1868)", 1833 oil on canvas signed and dated mid-right, "Kennedy Galleries, Inc., N.Y.

After Auguste Moreau (French, 1834-1917) "L'Aurore", second quarter 20th century bronze a variant of the sculpture exhibited at the Paris Salon in 1893, formerly fitted as a newel post figure. h. 31",

American School (First Half 19th Century) "Pair of Portrait Miniatures of Aaron Burr (1756-1836) and His Wife Eliza Bowen Jumel (1775-1865)", ca. 1834-1840 each watercolor and gouache each unsigned. B

Four Continental Traveling Collapsible Cutlery Sets including: a fine comital Franco-Austrian Empire traveling coach set, with a beaker, Vienna, 1815, by Joseph Heinisch (1765-1834), 13 lot (.812) sil

Marcus Waterman (American, 1834-1914), "Rural River Landscape", oil on canvas, signed lower right, 16" x 28". Presented in a period giltwood frame.

French Patinated Bronze of "Two Women Reading"20th century, in the manner of Auguste Moreau (French, 1834-1917), incised inscription "JANY" at back edge of self-base, on a black marble plinth. overall

James Abbott McNeill Whistler (American/British, 1834-1903) "Nocturn in Blue and Gold - Old Battersea Bridge", ca. 1910-1920 color lithograph on paperboard "Hanfstaengl" blind stamp and copyright mark

French Patinated Bronze of "Diane Chasseresse" first quarter 20th century, after the 1790 bronze by Jean-Antoine Houdon (French, 1741-1828) conserved at the Louvre, Paris, cast signature at base. h. 2

Guy Cambier (French, 1923-2008) "A Gypsy Camp" oil on canvas signed lower right. Framed. 26" x 32" Provenance: Galerie D'Art de la Place Beauvau, Paris, France, 1976; The Estate of Elaine Smith Frost