FRANCISCO GOYA 'SI AMANECE, NOS VAMOS' ETCHING

Framed etching and aquatint, "Si Amanece, nos vamos", by Francisco Jose de Goya (Spanish 1746-1828), edition unknown, from "Los Caprichos", originally published in 1799, plate 71, H106, paper has been

“Si amanece, nos Vamos.” is an etching with aquatint burnished on laid down paper done by Francisco Goya in 1799. It is Plate 71 from the series of eighty prints by Goya entitled “Lo

Francisco Jose De Goya Y Lucientes, Spanish (1746 - 1828) Two Framed Etchings Consisting of "Y Aun No Se Van!" and "Si Amanece; Nos Vamos". Plate number on top right margin. Each showing signs of toni

Francisco De Goya Y Lucientes, Spain, 1749-1828, No one has seen us (Nadie nos ha visto.), Plate 79 from Los Capricos, etching with aquatint, circular embossed blind stamp right corner (CNEW60)(MM) Di

Si son de otro linage is an original artwork realized by the great Spanish artist Francisco Goya in 1810. Original Etching on paper. The artwork belongs to the famous series "Los Desastres de la Guerr

Artist: Francisco Goya Title: Nadie nos ha visto Year: c. 1803 Dimensions: 11.5in. by 8.25in. Edition: From the rare limited edition Suite: Los Caprichos

After Francisco de Goya (Spanish, 1746-1828), "Nadie Nos Ha Visto Engraving" plate 79 from Los Caprichos series. Together with a Francisco de Goya self portrait etching "Franco Goya y Lucientes Pintor

Francisco Jose de Goya (Spanish, 1746-1828). "El si Pronuncian y la Mano al Argan, al Primero que Ilega" - 1790s, etching and aquatint. Titled lower center, COA from Nathan Daniel Isen, Philadelphia.

"Si Quebro el Cantaro" from Los Caprichos. Numbered plate 25 top right-hand corner. 1797-1798. Etching and aquatint. Plate size: 8 1/8 in. x 5 7/8 in. (20.64 cm x 14.92 cm). "Que Pico de Oro" from Los

"Esto si que es lcer 29",1797/98, 20th Century Etching on paper Dimensions: Framed H 23" x W21",sight H9.5" x W 7.5" Condition: No issues to note.

FRANCISCO JOSE DE GOYA Y LUCIENTES (Spanish, 1746-1828). No hay quien nos desate? (Can't Anyone Untie Us?), First published in 1799, etching and aquatint with burnishing on laid paper. This is plate 7

Artist:Goya, Francisco (Spanish 1746-1828) Title:La Tauromaquia No. #21 (Death of the Mayor Torrejon) (Dreadful events in the front rows of the ring at Madrid and the death of the mayor of Torrejón

Francisco Goya (Spanish 1746-1828)- ''La Tauromaquia''- etching and aquatint , 1816 with blindstamp, from the 5th edition out of 8, printed in 1921 in an edition of 200, very good condition. 13 7/8 x

12 1/2" x 17 1/2" sheet, plate: 8 1/4" x 12", printed circa 20th c. with an artist stamp to lower right side

AFTER FRANCISCO GOYA, ETCHING & AQUATINT, "CAPRICHOS: PLATE 14, QUE SACRIFICIO!":Framed and matted under glass.

Francisco Goya, etching Little Prisoner, 1867 1st Edition

Francisco Goya (Spanish, 1746-1828), etching, "Le Petit Prisoner", unsigned, Gazette des Beaux-Arts, imp. Delatre, Paris, 4-1/8" x 3-5/16", framed 13-1/4" x 10-1/4", very good condition, not examined

After Francisco Goya - Etching -Man in Chains. measures approx. 4 x 3-3/4 inches overall framed 15 x 13-1/2 inches

FRANCISCO GOYA (1746-1828) Que pico de Oro, plate 53 (from Los Caprichos) Etching, aquatint on wove paper, circa 1797 7 1/4" x 5" Includes an old museum inscription to verso and also museum exhibition

Francisco Jose De Goya Y Lucientes (Spanish 1746-1828)                    The Little Prisoner  (Harris 26)         

Francisco Goya (Spanish 1746-1828)- ''The Little Prisoner'' (Harris 26)- etching, as published in 'Gazette Des Beaux Arts', light struck. 4 1/8 x 3 1/4''

"Los Ensacados" (The men in sacks) from the "Disparates", edition unknown. Dimensions: Frame: H 15.75" x W 19.75" Sight: H 9" x W 13" Condition: Good impression, slightly wavy in frame with very sligh

Goya, After Francisco (Spanish, 1746-1828), The Little Prisoner, etching and aquatint on paper, c. 1876, Gazette des Beaux Arts, Imp. Delatre Paris printed in lower margin, plate mark 4.25 x 3.25 inch

A Francisco Goya (Spanish artist, 1746-1828), The Little Prisoner, etching and aquatint on paper, c. 1876, Gazette des Beaux Arts, Imp. Delatre Paris printed in lower margin, plate mark. Framed and gl