19thC Copper Lustre pitcher "The Crowning of Lafayette" & "The Surrender of Cornwallis at York Town,

19thC Copper Lustre pitcher "The Crowning of Lafayette" & "The Surrender of Cornwallis at York Town, PA Oct 10, 1781" - 4 5/8" tall

Transfer prints on each side with right side having surrender of Cornwallis with inscription below Cornwallis Resigning His Sword at Yorktown Oct. 19th 1781; and on right with shoulder-length portrait

English redware bulbous-form with flared foot and C scroll handle, central body decorated with black transfer prints on each side with right side having surrender of Cornwallis with inscription below

Glass and Porcelain "CORNWALLIS Resigning his Sword at York Town Oct. 19, 1781" and "LAFAYETTE (Crowned in Glory)" Legends c. 1824 Lafayette's Triumphal Return to America Tour Period, Large Historical

ENGLISH COPPER LUSTRE TRANSFER-PRINTED AMERICAN HISTORICAL CERAMIC PITCHER, having a yellow ground around the middle with black transfer-printed design of Lafayette on one side and Cornwallis "Resigni

ENGLISH COPPER LUSTRE TRANSFER-PRINTED AMERICAN HISTORICAL CERAMIC PITCHER, having a yellow ground around the middle with black transfer-printed design of Lafayette on one side and Cornwallis "Resigni

[Cornwallis Reports on the Yorktown Surrender]. The Providence Gazette. And Country Journal. Providence, Rhode Island; December 15, 1781. Print

Peter Müller-Munk (1904-1967) for Revere Copper & Brass Co. Normandie pitcher Rome, New York, circa 1935 chrome-plated brass impressed mark 'Revere Rome N.Y.' 10"w x 3"d x 12"h

Two Hispano Moresque Copper-Lustre Tin-Glazed Earthenware Chargers 16th Century, Manises, Spain One with a rabbit on the central raised well with a band of whorls, bordered by foliage; the other with

Bigelow, Kennard & Co. (American (Boston), 1863-1923), circa 1870s. An American Aesthetic Movement mixed metal water pitcher of rectangular form with chasing and repousse decoration, the whole with fa

The Roycrofters, Dard Hunter (1883-1966), designer table lamp East Aurora, New York hammered copper, leaded glass stamped orb and cross 17 3/4"dia x 22"h

L. & J.G. Stickley corner cabinet, #719 Fayetteville, New York oak, copper, glass marked with Handcraft decal 39"w x 25"d x 65"h

A Tiffany & Co. Silver Beer Pitcher, New York, 1857 Marks: M, ENGLISH STERLING, 925-1000, M 8-3/4 x 5-1/2 x 5-1/2 inches (22.2 x

Gustav Stickley (1858-1942) Seed Pod wall plaque, #345 Eastwood, New York hammered copper stamped mark 20"dia x 1"h

The Roycrofters / Roycroft double-door bookcase, #082 East Aurora, New York oak, glass, copper carved orb and cross a rare form with an excellent finish 56"w x 15"d x 68 1/2"h Provenance: Kip Forbes,

Tiffany & Co. Aesthetic Sterling Mixed Metals Water Pitcher 8''x8''. Hand chased and hammered bee and flowering artichoke pitcher with applied copper bands. Form 26094 and marked on bottom. Excellent

The Roycrofters sideboard, #02 1/2 East Aurora, New York oak, glass, copper, silvered glass carved orb and cross 60"w x 25"d x 52"h Provenance: The Estates of Vera Parry and Judith Parry Gregorio, Buf

Gustav Stickley (1858-1942) early two-door bookcase, #544 Eastwood, New York, circa 1902 oak, copper, glass marked with early red decal (Stickley in box) 61 1/2"w x 12 1/2"d x 56 1/2"h

Cass Gilbert, Woolworth Building metalwork, c. 1913, New York, two segments of pressed copper sheet metal with natural verdigris patina, originally surrounding the roof of the Woolworth building, 233

PARCEL #75 TOWN: SAUGERTIES ASSESSED TO: MALONE BEATRICE B MALONE OTHERS CURRENT OWNER: COUNTY OF ULSTER SBL#: 018.010-0003-015.000-0000 CLASSIFICATION: 210 NOW 310 LOCATION: 508 YORK ST MALDEN ACREAG

Pablo Picasso (1881-1973) PICHET GRIS GRAVÉ (ALAIN RAMIÉ 246) Painted and partially glazed white ceramic pitcher, 1954, from the edition of 500, inscribed Edition Picasso and Madoura and wit

Decorated with a representation of the marriage of Poseidon and Amphitrite in high relief, flanked by putti and sea creatures, the upswept loop handle applied with reeds and cattails and joined to the

Of hu form; decorated in underglaze blue and red to show landscape scenes. (Height 13 inches)

FEMME (ALAIN RAMIÉ 296) Painted and partially glazed (interior only) white ceramic pitcher, 1955, a color variant aside from the edition of 100, with the D'Après Picasso and Madoura Plein Fe