A PAIR OF EARLY SILVER TORAH FINIALS. Berlin, 1832. Classical form. On tubular staves. The main body

A PAIR OF EARLY SILVER TORAH FINIALS. Berlin, 1832. Classical form. On tubular staves. The main body is decorated with swags and cherubs holding torches. The upper two portions are constructed with fi

52. A PAIR OF STERLING SILVER TORAH FINIALS. Probably Israel, c. 1970.On tubular staves. The body consists of six ribs. Topped with a Jewish star. 11" tall.

A PAIR OF SILVER TORAH FINIALS. Algerian, c. 1880. On tubular staves with architectural carved bodies and topped by a flower. 10.6” tall.

Possibly Morocco, c.1900 In Baroque style The main body in baluster form with decorative piercings Marked 999 and Arabic.maker's mark. 13.5" tall.

A RARE AND EARLY PAIR OF SILVER TORAH FINIALS. Brno, 1814. Traditional form. Of heavy gauge. The bases are chased with leaf designs. Further decorated with crown finials. Inscribed along the base with

Valentin Schuller, Frankfurt-am-Main, circa 1700. Octagonal body formed of cast panels of filigree topped by chased tile borders, obelisk form spire similarly pierced and with gothic crocket, the gall

Pair of 13 silver Torah finials (Rimonim), embossed with floral motifs and bell applications. Height: 45.5 cm. Total weight: 2354 grams. Marked. Minor flaws and missing parts.

A Wonderful Pair Of Gilt-Bronze Silver 'Scrolling Lotus, Auspicious Cloud, Dragon, Phoenix' Ewers. Each is supported on a subtly splayed foot, topknot surmounted by a teardrop-form finial. Chinese Qin

Candelabra. Includes a pair of English silver Benjamin Smith III candelabra with ornate floral border and acanthus leaf details. Central flame finials, floral borders to bobeches, and fluting to arms.

Faberge silver mounted cut glass claret jugs, each with star-cut clear glass ball-form body, having silver mounted paneled loop handles, pineapple finials and pointed spout. Stamped "Faberge" with Imp

A PAIR OF GEORGE III SILVER CANDLESTICKS Sheffield, c.1785, mark of Luke Proctor & Co, each of neo-classical design, the urn form sconce with detachable drip pans above fluted tapering column stems on

Philadelphia, Pennsylvania, late 18th century, urn form body, galleried rim, bead borders, conforming pineapple finial, engraved swag and floral cartouche, monogram "HB", marks for Joseph & Nathaniel

1 of pair, crystal center with faceted body in an arch form with a sterling silver stamped overlay neck. Stopper also faceted crystal. Approx 11.25 inches tall and,6 inches wide. Evident losses to und

1 of pair, crystal center with faceted body in an arch form with a sterling silver stamped overlay neck. Stopper also faceted crystal. Approx 11.25 inches tall and,6 inches wide. Evident losses to cry

Late 19th/early 20th century, each surmounted by a leaf and berry finial, oviform bodies flanked by aegicrane masks joined by floral swags, raised on a waisted foliate socle, on a laurel-molded base,

Early Qajar Dynasty work of fine quality, comprising a helmet, shield and armguard of classic form. The helmet with gold and silver inlaid spike finial, large demon horns, plume holders and captured n

Of Akoda melon form with six lobes, the teapot with slender high loop handle and reticulated openwork finial, the body with plain design, the mouth elegantly curved, the base with four character mark

Fine Carved Chinese White Jade Tripod censer. Smooth and finely carved white jade of tapered globular shaped body, domed lids, with flower finial bud. Main body decorated with shallow relief of rococo

Pair of cast iron classical form urn. 16 1/2"h x 12 /2" dia

Gorham "Tudor" pattern repousse two-handled tureen, the lid having an urn form finial, the body and cover decorated with ornate bands including floral, foliate, mask, scroll, and strapwork, the body c

A LARGE SILVER TORAH CROWN. Poland, 1885. The body chased with flowers below acorns and grapevines. The lower band is decorated with chased strapwork. With raised cartouches with Hebrew dedication ins

Finely carved Chinese white jade pendant in the shape of rectangular plaque surrounded by open carved Fu-Bats on sides with scrolling flori-form motifs on top. The main body is carved in relief of lin

QINGBAI 'DOUBLE-MAKARA' PILLOW SONG DYNASTY OR LATER 宋或以後 青白雙龍瓷枕 the main body sculpted in the form of two entwined makaras under

A souffle blue Rouleau “drumstick†vase. The body rises from an outward flaring foot to form a slightly increasing tubular shape for the body. A straight narrow neck rises from an indented a