After Giovanni Venturini (Italian, 1650-1710)

Two Roman Fountain Views, Two Hand Colored Engravings On Paper, Each Sight 9 X 13, Matted And Framed 19.25 X 22.25 Inches, One Lacks Glass. Paper Toned And Foxed.see Photos For Condition.

After Michele Giovanni (Michiel) Marieschi (Italian 1710-1743), "Grand Canal with Basilica di Santa Maria Della Salute", 19th century, depicting Venetian society going about their business on a clear

Attributed to Giovanni Andrea Podesta (Italian, 1608-circa 1674) The Andrians or The Bacchanal of the Andrians, after Titian, circa 1640-1650 etching 16 1/2" x 22 1/2" Catalog Note: The original etchi

Made in Italy.

Cenedese Giovanni Italian Murano glasses four piece lot. Features modern design green ice cream bowl glasses with round clear base. Signed on bottom.Dimensions: 4 X 3.5 X 3.5 in. Condition: Good

Tag on interior reads JO GIOVANNI MADE IS ITALY. Piece is black toned with tied bow on front. Hat measures approx 7.5 inches wide and deep 3 inches tall. Hat, jo Giovanni hat, Fascinator hat, women’

Giuseppe Vasi (Italian, 1710-1782), three late 18th century etchings, first published in Vasi's 'Delle Magnificenze di Roma Antica e Moderna,' the first titled 'Ospizio e Chiesa di S. Luigi della Nazi

Giuseppe Vasi (Italian, 1710-1782), "Grand View of Santa Maria...," 1771, etching, plate signed, titled and dated, image: 39.5"h x 27"w, overall (with frame): 44.25"h x 31.5"w

(Italian, 1710-1782) titled "Prospetto del 'Alma Cittá", of impressive size. Losses, glued down onto a board Overall: 42-1/2"h x 8'9"w Sight: 38-1/2"h x 8'5-1/2"w

SANDRUCCI, Giovanni, (Italian, 1828-1897): Grandmother Telling Stories with Grandfather and Three Young Kids and a Kitten Playing with Ball in the Foreground. Oil/Canvas, 23.25" x 31.5", signed upper

attributed BOLDINI, Giovanni, (Italian, 1842-1931): "The Artist in His Studio", depiction of an artist painting a landscape with woman looking on, Watercolor on Paper laid on board, signed lower right

Giuseppe Vasi (Italian, 1710-1782) prints, "La Veduta della Basilica di Santa Maria Maggiore" and "La Veduta della Basilica di San Paolo". Provenance: From the Collection of renowned architect and des

BRAGOLIN, Giovanni, (Italian, 1911-1981): Portrait of a crying street waif, Oil/Canvas, signed upper right, 27.25" x 19.25", framed 34" x 26".

In the manner of Michele Marieschi (Italian, 1710-1743) appears to be unsigned. 16"h x 23"w

Giuseppe Vasi (Italian, 1710-1782). Large etching on wove paper titled "Veduta della Basilica di S. Paolo fuori le mura ed adiacenze dal Monte Aventino, e dal fiume Tevere (View of the Basilica o

EDWARD LUTTRELL (English: 1650-1710) "Portrait of Sir Anthony Dyke" Pastel on paper. 12 1/4 x 10 1/8 inches; Framed: 17 1/2 x 15 1/4 inches. Signed side center. [CONDITION: The image itself does have

Giuseppe Vasi (Italian, 1710-1782), pair of late 18th century etchings first published in Vasi's 'Delle Magnificenze di Roma Antica e Moderna,' the first titled 'Chiesa di S. Giacomo in Piazza Scossac

GUIDOTTI, Giovanni, (Italian, 20th Century): Market in Italy, Oil/Canvas, 27.25" x 39", signed lower left and framed, 34" x 46".

GUIDOTTI, Giovanni, (Italian, 20th Century): Market in Italy, Oil/Canvas, 27.25" x 39", signed lower left and framed, 34" x 46".

DeSimone, Giovanni (Italian, 1930-1991) group of 7 Picasso-like pieces of different sizes and forms, all signed DeSimone in ink: Small female figurine with saxophone and wings, 8 inches x 5.75 inches;

Maria Scoto Giovanni (Italian active 1559-1566), "Rime et Prose Di M. Giovani". Published by Giouananronio Bertano, Florence, Italy, 1570. Tricesimo-secondo, marbled paper covered board with gilt lett

Salvator Rosa (Italian, 1650-1673) "Crucifixion of Polycrates" etching and drypoint. [Image: 18 1/2" H x 29 1/4" W; Frame: 25 1/2" H x 36" W]. In good condition.

(lot of 2) Framed prints on paper, after Giuseppe Vasi (Italian, 1710-1782), including: (1) "The ruins of the ancient magnificence of Rome that are seen in the Campo Vaccino," (1) "The view of the Bas

Giuseppe Vasi (Italian, 1710-1782). "Veduta in prospettiva della gran Fontana dell'Acqua Vergine detta di Trevi / Architettura di Nicola Salvi" -late 18th century, engraving with later hand coloring.