Attributed to Joseph Edward Southall (British,

* Joseph Edward Southall (English, 1861-1944) Study for Ariadne- Parrot watercolor on paper dated April 4, 1925 9 1/4 x 6 inches (sight). Estimate $400-600 Property from the Estate of William Lipton,

Large 19th century English oil on canvas portrait of young girl in blue dress adorned in lace, her sash holding her greyhound attending at her side, attributed to Joseph Highmore (British 1692-1780),

Attributed to Edward Pritchett(British, 1808-1864)Figures in a Churchoil on boardunsigned, frame marked "Pritchett"6 3/4 x 6 inches (sight)15 x 14 1/2 inches (frame)Provenance: Property from a

ATTRIBUTED TO JOSEPH THORS (BRITISH 1835-1900), OIL ON CANVAS, LANDSCAPE WITH COTTAGE AND FIGURE, UNSIGNED. 23 1/2 X 19 3/4"; FRAMED 33 X 29" PROVENANCE: DOYLE, NY

Attributed to: Joseph Highmore, British (1692-1780), Oil on Canvas, Portrait of a Lady with Flowers. Unsigned. Measures 33" H, 26-1/2" W; frame measures 36-1/2" H, 30-1/4" W. A work listed as "attribu

Attributed to Edward Povey (British, American, born 1951) oil painting on board depicting a still life with irises flowers. Signed lower right. Framed. Edward Povey was born in 1951 in London, England

Edward Lear (attrib.), drawing, ex. Ford Found., Attributed to Edward Lear (British, 1812-1888), "Please my Lord I want to be made a Bishop", pen and brown ink caricature drawing on paper, no visible

Attributed to Edward Slocombe, British, 1850 to 1915, antique architectural engraving on paper, Amiens Cathedral. Circa: 1900s to 1920s. Signed, titled and dated in the plate lower right. Framed. The

attributed to ARTHUR JOSEPH MEADOWS (British 1843-1907) A PAINTING, "Cows Watering by a Figure with Sheep in Landscape," oil on canvas laid to pressed board. 19" x 29" Provenance: Collection of Karen

Attributed to Edward Theodore Compton (British, 1849-1921) A Waterfall. Watercolor, unsigned Sight: 11.5" x 9" Frame: 21" x 17.5"

Watercolour on paper titled: Blackfriars Bridge. Signed & titled l/l, image size: 8.5”x12”, unframed.

(Attributed to) Edward Charles Williams (British, 1807-1881) Oil on Canvas Undated, initial signed 'Wma' lower right; depicting a cottage having thatched roof with a pond in the foreground and hills,

Edward Charles Williams (attrib.), oil painting, Attributed to Edward Charles Williams (British, 1807-1881), Pastoral Scene, 1872, oil on canvas, signed "E. Williams" and dated at lower left, 16"h x 2

A 19th century oil on canvas seascape attributed to James Edward Buttersworth, British, 1817-1894. Depicts a "Frigate Entering the West Indian Harbor". Unsigned, attributed to Buttersworth and titled

Attributed to Joseph Mallord William Turner (British, 1775-1851) Untitled, together with another drawing on paper watercolor on paper signed J.M.W. Turner (lower left) 13 1/4 x 16 1/2 inches. Estimate

JMW Turner (attrib.), oil on canvas, Attributed to Joseph Mallord William Turner (British,1775-1851), Looking towards a Castle View, signed JMW Turner lower left, artist placard on antique gilt frame,

Attributed to SIR EDWARD JOHN POYNTER (British 1836 - 1919) Study of Hand and Foot Charcoal on paper Sight: 7 1/4 x 11 1/8 inches / 18.41 x 28.25 cm

This is an original oil painting on porcelain attributed to Edward Charles Williams, a British artist who lived from 1807 to 1881. The painting depicts a woman and is signed by the artist. It measures

19th century oil painting, signed and dated by the artist: Joseph Edward Homerville Hague, 1891 (Lower left). Peasant girl resting in an outdoor courtyard with flowers and nearby water jug. Oil on can

(British, 1807-1881) Travelers Resting, not apparently signed, oil on canvas, 12 x 16 in.; original gilt wood and composition frame, possibly Newcomb-Macklin, crackle, lined, scattered retouch, stretc

Oval Form Portrait of Sit John Sylvester. Johann Joseph Zoffany (British, 1733-1810). Faintly inscribed/signed (?) verso. From a Norwalk, CT estate. With original receipt from Sotheby's London, Novemb

British School (19th century), Portrait Miniature of a Gentleman Signed E. Uptonthird quarter 19th century, attributed to Edward Upton, the verso framing retains period paper mount ink inscribed paint

Sir Edward Coley Burne-Jones (British, 1833-1898) Attributed : pencil on paper, signed bottom right with the artist's monogram, unframed. Sir Edward Coley Burne-Jones was a British Pre-Raphaelite arti

Attributed to Michael Francis Edward Forster (Canada/Britain) B: 1907 D: 2002 Attachment on verso Michael Forster attributed to Villa Amelia Italy. Outside frame dimension 25 inches wide X 29 inches t