Circle of Francesco del Cairo (Santo Stefano in Brivio 1607-1665 Milan) St. Francis in ecstasy 3...

Circle of Francesco del Cairo (Santo Stefano in Brivio 1607-1665 Milan) St. Francis in ecstasy oil on canvas 37 3/4 x x 27 1/2in (96.5 x 69.9cm) Footnotes: Provenance Private Midwest collection. Lot t

(Italian, 1665-1747) St. Francis in Ecstasy, inscribed label verso oil on linen, 19-3/4 x 15-1/4 in. oval; oval gilt wood frame, 24-1/4 x 20-1/4 x 2-1/2 in. Provenance: Hampel Fine Art Auctions, Munic

PILLSBURY, Arthur C. (1870-1946), photographer. The Burning of San Francisco. April 18, 06. View from St. Francis Hotel, No. 101. 1906. 40 3/4 x 7 1/2 in. (sight) silver gelatin photograph, housed in

Circle of Francesco Montelatici, called Cecco Bravo (Florence 1607-1661 Innsbruck) Supper at Emmaus oil on canvas 56.2 x 49.8cm (22 1/8 x 19 5/8in). This lot is subject to the following lot symbols: &

trittico, olio su tavola, W. 119 - H. 66 Cm

Circle of Francesco Trevisani (Italian, 1656-1746) Mark Antony at Cleopatra’s Banquet oil on canvas 55 x 57 3/4 inches. This lot is located in Chicago. Provenance: Markgrafen und Grossherzö

Circle of Giulio Cesare Procaccini (Bologna circa 1570-1625 Milan) The Madonna and Child oil on canvas 65.3 x 56.3cm (25 11/16 x 22 3/16in).

Francesco Ferro e Figlio Screziato vases, pair Italy, c. 1880 screziato glass with applied handles and foot 3.25 w x 2.5 d x 10.25 h inches Literature: L'Arte del Vetro, Silice e Fuoco: Vetri del XIX

ANTONIO SAVERIO GRUE, CASTELLI, FINE DEL XVII-INIZIO DEL XVIII SECOLO decorato con scena di caccia al cervo; poche usure e difetti Alt. cm 3, diam. cm 27,8 A CASTELLI MAIOLICA DISH, LATE 17-EARLY 18TH

(Flemish, 1581-1642) Martyrdom of St. Ursula, oil on copper, 23 x 29-3/8 in.; carved and gilt wood frame, 29-1/2 x 35-1/2 x 2-3/8 in. Provenance: Christie's South Kensington, London, October 26, 2011,

(attivo a Firenze nell'ultimo terzo del XIV secolo) Madonna con il Bambino, San Francesco, Santa Caterina d'Alessandria, Maria Maddalena e Santo Vescovo Tempera su tavola, cm 54X24 L'appellativo di Ma

Circle of Francesco Renaldi (British, 1755-1798) Two noblewomen, perhaps of Lucknow, seated together on a pillared terrace, North India, circa 1792-95 oil on canvas 43.9 x 33.8 cm. Footnotes: Renaldi,

Anello in oro giallo con diamante naturale taglio brillante, lavorazione "Sforza" con all'interno incisione del peso 3,91. Peso 14,15 gr

Vintage Signed Weiss Stone & Enamel Jewelry1) blue enamel flower brooch with matching clip earrings, 2) black stone jappaned circle brooch, 3) aurora borealis silver back floral brooch, 4) aurora bore

This item comes from our consignors vault in St. Louis. Please allow 3-5 weeks for delivery. Winner shall receive FIFTY (50) 10 oz .999 silver bars, precisely resembling the bars shown here.

Chinese Blue and White Porcelain Vase and Cover Blue six character within a blue circle.The vase 16 3/4 x 7 1/4 in. diam., 19 x 7 1/4 in. diam. (with cover).

A Faberge 88 standard silver and pale blue gullioche enamel photograph frame. Workmaster Andre Gorianov, St Petersburg 1908-1917. Dimensions: 3” x 3” (7.5 cm)

Berlino 1895 ; St. Tropez 1971 Il gioco del filo, 1946 Olio su tela, cm 54 x 87 Firmato e datato in basso a sinistra Provenienza: Galleria d'Arte Sianesi, Milano Galleria Lorenzelli, Milano Galleria d

Laureano Atlas (1743 - 1773) Nuestra Señora Del Santisimo Rosarioen la Yglesia de Santo Domingo signed and dated 1759 (lower right) copper engraving on finely–combed cottonBinondo, Manila 30

O/C OLD MASTER ISABELLA de MEDICI CIRCLE OF ALASSANDOR ALLORI (ITALIAN 1535-1607), 16/17TH C. 33" X 26 1/2"

Mihail Chemiakin (Russian, b. 1943)Carnival at St. Petersburg, 1990Oil on canvas

Josef Albers (German/ American, 1888-1976) Structural Constellation, circa 1970 Etched glass, aluminum encasement, light 14 3/4" x 15 1/4" x 4" A rare and exceptional light sculpture by t

De Wain Valentine Blue Circle 1970cast polyester resin 1 h × 17.25 dia in (3 × 44 cm) Provenance: Acquired directly from the artist in 2010 by the present owner

(Flemish, 1599-1663) Capriccio of a Busy Mediterranean Port, with figural groups possibly representing the Seven Deadly Sins, unsigned, oil on canvas, 42-7/8 x 80-3/8 in.; gilt wood frame, 50-3/8 x 87