E.D. Ward (19th/20th C.) American, Pastel

Pastel landscape with original frame. Sight size: 15 1/2 x 21 1/2 in. Overall size: 19 1/4 x 25 1/4 in.

American, 19th/20th C. Losses to paint, scratches, wear. 27"h x 43-1/2"w x 25-1/4"d Provenance: Property from the Estate of Edward G. Bohn

Black-Painted Dome-Top Blanket Chest American, 19th/20th C. Losses, wear, surface distress. 19-1/2"h x 41"w x 19-1/4"d Provenance: Property from the Estate of Edward G. Bohn

American, probably Pennsylvania, 19th/20th C. Losses, stains, surface distress. 21-1/2"h x 38"w x 19"d Provenance: Property from the Estate of Edward G. Bohn

Geometric abstract, pastel colors, oil on canvas. Edward Darrell Crisp was a California painter, sculptor and illustrator. He studied at the San Francisco Academy of Art. Crisp's work was sold at prom

Group of American Splint-Woven Baskets 19th/20th C., mostly New England/Adirondack region, 9 pieces total The largest: 9-1/2"h x 25"w x 16"d Provenance: Property from the Estate of Edward G. Bohn

19th/20th C., appears to be unsigned Overall: 21"h x 25"w Sight: 15-1/2"h x 19-3/4"w Provenance: Property from the Estate of Edward G. Bohn

English, 19th/20th C..The Check, colored aquatint, copyright 1929 Derrydale Press NY, pencil signed lower left, toning and some waviness to paper, minor foxing, small water stain, good colors..plate 1

AFTER EDWARD C. POTTER (AMERICAN, 1857-1923) BRONZE SCULPTURE, 1993, H 17", W 15", "SIGHTING THE ENEMY" A reproduction bronze after Edward Clark Potter's 1909 bronze titled "George Armstrong Custer Eq

"Casen Bay Maine". Brown wash on paper. Signed, and titled lower right. 19 x 14 in. Framed.

A French steamer in choppy waters,1901 Oil on canvas laid to canvas Signed and dated lower right: E. Adam [illegible] fils 13" H x 21.5" W

Rookwood, Daffodil Vellum vase, Edward Diers, c. 1925, American, polychrome glazed pottery, marked to the underside with company logo, Roman numeral date, artist initials, and model no. 2544, 8.25"h x

Pair of portraits of a Lady & Gentleman, 1931. Oils on canvas. Each signed at upper left. Dated on the front (gentleman), dated on reverse (lady). From a Chappaqua, NY estate. - Dimensions: Each:

Attributed EDWARD MORAN 19th C. SEASCAPE PASTEL; fine quality pastel estate fresh, untouched in original gold frame with wood backing, unsigned at sight, Size: 24 x 28"

Edward H Hergelroth (20 C American), landscape painting, "Autumn Marsh II", oil or acrylic on canvas, signed "EHH", 20" x 30", frame size 22-1/2" x 32-1/2", very good condition

Untitled (group of boat on land), 8/22/80Oil on canvas, signed lower lower right Dimensions: Frame H 25" x W 37", sight H 24" W 36"

Edward Scherck, automobilia photograph, Edward Scherck (American, 20th c.), American Convertible, 1950s, gelatin silver print, unsigned, James Danziger Gallery label verso, 8.25"h x 16"w (sight), 17"h

Edward M. Bannister (American, 1828-1901) pastel and gouache painting of a landscape of a marsh and cows through a forest, signed lower left and dated '83, framed under glass. [Art: 19" H x 29" W; Fra

Room size Edward Fields "Serendipity" rug, c. 1970s, American, sculpted pile wool, printed signature to underside, 205"l x 133"w

Edward Keller (American 20th c.), two charcoal portraits of Carole Lombard and Charles Laughton, both signed and dated 1933/4, 15'' x 10'' and 10'' x 10''.

Portraits from North American Indian Life Edward C Curtis, Truly Remarkable Book, 176 pages of photographs from the late 1800's into the early 1900's Curtis' early photographs fetch up to $100,000 for

Edward Jeckel (American, 20th C). Oil on masonite. Size: 26"h x 18"w. Signed lower right.

Mountain landscape with cows. Signed and dated, lr, "Edward G...ll, 71". 19th C. English or American. 11.5"h x 19.5"w

Edward Sanborn (American 20th c.)- Late Autumn- lithograph, signed in pencil, sandwiched, otherwise good condition. 9 x 11 1/2''