EDWARD ROPER (1830-1909) He Stares at it Intently

Edward Arden (1830-1909) British, sheep on a country path by a river, watercolour, signed, 13" x 18", along with two further watercolours, (3).

Edward Roper English/Canadian, 1857-1891 The American Fall from Goat Island, View Number Three, circa 1890 Signed with conjoined initials ERoper (ll) Oil paper laid to canvas 7 3/8 x 10 3/8 inches Pro

Julius Hamburger (Austrian, 1830-1909). An original oil painting on canvas. An animalier work depicting a recumbent feline house cat, painted with realistic details. Artist signature to lower right. P

Chinese Ming Dynasty Jade effigy of a Roaring lion, lying in a relaxed position. The Lion stares intently over his right shoulder while laying down on all-fours. The mouth is gaping open as if roaring

John Mullan (1830-1909). New York: Wm. M. Franklin, 1865. Engraved map with original hand color. 25 x 39 inches visible, 29 1/2 x 44 inches framed.

ARTIST: Victor Nehlig (New York, France, 1830 - 1909) NAME: Pierrot in Danger MEDIUM: gouache and watercolor on paper CONDITION: paiting is applied to paper mat which is in bad condtion. Mat could be

With four British gold coins, containing 1911 George IV, 1903 Edward VII, 1909 Edward VII, 1895, Victoria, total weight approx. 35.2dwt. Each coin, 3/4"d, bracelet length approx. 8"l

English 9k, 10k and 14k gold charm bracelet, having (24) charms, including a Victorian hand form door knocker, a heart locket, a car, a candleholder, an ankh, a whistle, an anchor, a 1909 Edward VII 1

Gold Coin Signet Ringthe ring set with an Austrian 1909 Edward VII gold sovereign from the Melbourne Mint, with textured detailing to mount, with hallmarks and stamped 375. 25.7mm diameter; 6.25 11.1

Frederick Edward McWilliam, (British, 1909-1992), Seated Woman II, 1961, bronze, signed, edition of 5, 9.5"h x 15"w, Provenance: The Warshawsky Collection, Chicago, IL, Literature: Denise Ferran & Val

Original oil painting by E.W. Allen after the original "Peaceable Kingdom" by Edward Hicks circa 1830-1840, mounted in a wood frame 2 1/8" by 2 3/4"

AFTER EDWARD C. POTTER (AMERICAN, 1857-1923) BRONZE SCULPTURE, 1993, H 17", W 15", "SIGHTING THE ENEMY" A reproduction bronze after Edward Clark Potter's 1909 bronze titled "George Armstrong Custer Eq

JOHN EDWARD HELIKER (American, 1909-2000)Red LandscapeOil on masonite12

New York City, 1830, labeled Edward Holmes 29"h x 36-1/4"w x 18-1/2"d Provenance: The Stanley Weiss Collection Literature: "Fine American Antiques in the Stanley Weiss Collection" by Stanley Weiss, pu

JOHN EDWARD HELIKER (American, 1909-2000)Morning Landscape #1Oil on masonit

Eadweard Muybridge, born as Edward James Muggeridge (1830–1904), was an English-American photographer and inventor best known for his pioneering work in motion photography. He gained widespread reco

EDWARD CHARLES BARNES (1830-1882) "QUEEN OF HEARTS" OIL ON CANVAS PAINTING IN GILDED FRAME. Height: 42 in. by Width: 31 in.

Frederick Edward (F.E.) McWilliam (Irish, 1909-1992), "Bird Watcher I"-1964, bronze with black patina, from an edition of five, inscribed with initials and numbered "McW 1/5" on base. Surrealist figur

Pair of English Sterling Silver Sconces hallmarked 1909-1910 by Edward Barnard & Sons and 1936-1937 by Wakely & Wheeler and "E&D", in the Spanish Colonial taste, the backplate decorated with robust ac

Joseph Wopfner (Austrian, 1843-1927) Men Hauling Fishing Nets Oil on board. Signed 'J Wopfner' (lower left). 12 3/4 x 19 in. Munich Art Dealer, 1909. Collection of Edward Bausch, Bausch & Lomb, 1944.

Straits Settlements Edward VII, Dollar, (KM.26), 1909, NGC MS62.

EDWARD CHARLES BARNES (BRITISH,1830-1888) OIL ON MAHAGONY PANEL, H 12", W 10", ORIENTALIST PORTRAIT An oil on beveled mahogany panel by E.C. Barnes. Depicting a portrait of a middle eastern (perhaps M

Twelve Shreve & Co. "Louis XIV" Sterling Silver Ramekin Holders the pattern designed in 1909 by Joseph Edward Birmingham (1867-1946), San Francisco, California, each of serpentine lobed form with reed

Francois-Louis Bruel, HISTOIRE AERONAUTIQUE, Par les Monuments Peints, Sculptes, Dessines et Graves des Origines a 1830 (Paris: A. Marty, 1909) #173/325, with presentation on flyleaf, "To Miss Amelia