Jane Booth - Sun Drenched Series - White Plum Line

Jane Booth | Sun Drenched Series - White Plum Line Medium: Acrylic on Canvas Year: Unknown Size: 34.5 x 24 Signature: Yes Jane Booth’s vast canvases, covered with large swaths of bright paint,

Josef Albers White Line Square I (from White Line Squares (Series I)) 19663-color lithograph on Arches Cover image: 15.75 h × 15.75 w in (40 × 40 cm) sheet: 22.75 h × 22.75 w in (58 ×

Josef Albers White Line Square XV (from White Line Squares (Series II)) 1966lithograph in three colors on Arches Cover image: 15.625 h × 15.625 w in (40 × 40 cm) sheet: 20.625 h × 20.625 w

Josef Albers White Line Square X (from White Line Squares (Series II)) 1966lithograph in three colors on Arches Cover image: 15.625 h × 15.625 w in (40 × 40 cm) sheet: 20.625 h × 20.75 w i

Josef Albers (American/German, 1888-1976) WLS I from White Line Squares (Series I), 1966 lithograph signed, titled, dated and numbered 91/125 15 3/4 x 15 3/4 inches.

Keith Haring inspired Modern Art Drawing. White line figures on black ground. UNSIGNED. Subway series.-- Dimensions: Image Size: H: 37 inches: W: 25 inches -- FRAME SIZE: Frame Height 39 inches - Fram

Keith Haring inspired Modern Art Drawing. White line figures on black ground. UNSIGNED. Subway series. Framed under glass. Dimensions: H: 39.5 inches: W: 27 inches ---

Keith Haring inspired Modern Art Drawing. White line figures on black ground. UNSIGNED. Subway series. Dimensions: H: 39 inches: W: 27 inches ---

The four porcelain cups are all white glaze, and the wall of the cup respectively depicts the shape of plum blossom in blue and white.And the outer wall of the inner wall of the cup is written in blue

This great bowl is of Anasazi culture dating 950-1100 AD. Reserve black lines, stair steps and square coils on white.the holes you see are period holes drilled by hand. The bowl probably broke during

Screen-print on white Rowlux, cased in plexiglass. Features Roy Lichtenstein's "Landscape 4"; published by Rosa Esman, NY as a promotional piece for his Ten Landscapes series, 1967. Signed verso, with

Jane Dickson 1990 oil painting "Prince Of The City" from the "Revelers" series of an elevated view of two figures walking on a side walk. Painting has a contemporary white gilt face and wood framing.

Gabriella Crespi (1922-2017)Rising Sun seriesSet of six chairs and two armchairsBamboo, wicker and fabricPlaque signature on the back of each backrestModel created in the 1970sH 94 × L 48 ×

Gabriella Crespi (1922-2017)Rising Sun seriesTable with extensionsBamboo and brassModel created in the 1970sH 75 × L 214 × W 122 cm (with extensions)H 75 × L 162 × W 122 cm (withou

Josef Albers (American/German, 1888-1976) White Line Square XV, 1966 lithograph signed, titled, dated, and numbered 76/125 in pencil 15 3/4 x 15 3/4 inches. Property from a Private Collection, Scottsd

Josef Albers (American/German, 1888-1976) White Line Square XII, 1966 lithograph signed, titled, dated, and numbered 80/125 in pencil 15 3/4 x 15 3/4 inches. Property from a Private Collection, Scotts

H: 46.7cm, MD: 22.5cm. Compare: Poly Beijing 2023.12.14, Lot 5304, Sothebys' HK 2017.11.30, Lot 326, See image 清康熙 青花夜梅花觚 高46.7&#3

Robert Motherwell, "Red Open with White Line" color aquatint, 1979. Signed and numbered lower left, "RM / 9/56". Plate: 18.5"H x 34.375"W; Sheet: 18.5"H x 35.375"W; Frame: 23.5"H x 40.875"W. LITERATUR

CHINESE MING DYNASTY BLUE AND WHITE PLUM VASE H. 36 cm.

Core size 63x30cm

Beatrice Mandelman(1912 - 1998)Sun Series #16, ca. 1970acrylic on canvassigned upper right: Mandelman40 1/8 x 36 in. (101.92 x 91.44 cm.), Frame: 41 1/2 x 37 1/2 x 2 in. (105.41 x 95.25 x 5.08 cm.) Th

circa 1966 titled "wls-x," "wls-xvi, " and "wls-xiv" lithograph in colors each signed, dated, and number 61/125 20 3/4 x 20 3/4 inches

Artist/Designer; Manufacturer: Josef Albers (1888-1976) Marking(s); notes: signed, blind stamp, marking(s); ed. 23/125; 1966 Country of origin; materials: German; two-color lithograph made with alumin

H: 37cm W: 20cm Introduction: Inscription: In the sixth year of the Yuan Dynasty, it was used for appreciation on a plum vase with Tibetan figures and blue and white decorations in the Dalu Huachi Man