JOHN PIPER England, 1903-1992 Crug Glas, Swansea, 1966. Published by Marlborough Fine Art,

JOHN PIPEREngland, 1903-1992Crug Glas, Swansea, 1966. Published by Marlborough Fine Art, London. Signed and numbered 51/75 in pencil lower margin. Levinson 173.Color screenprint, 32.5" x 23.25". Unfra

John Egerton Christmas Piper (1903 - 1992) John Egerton Christmas Piper was active/lived in Illinois / United Kingdom, England. John Piper is known for abstract and naturalist landscape painting-churc

John Piper C.H. (British, 1903-1992) Corton Church, Suffolk (Levinson 203) Screenprint in colours, 1971, on wove, signed and numbered 73/75 in pencil, printed by Kelpra Studio, London, published by Ma

Adolph Gottlieb (American 1903-1974) ''Chrome Green'' serigraph in colors, 1972, signed, dated and numbered 116/150 in pencil, published by Marlborough Graphics, New York. 24 x 17 1/2'' Provenance: Es

New England landscape, 1910. Oil on canvas in gilt frame. Signed lower right. 19 1/4 x 24 1/4 inches. (Overall with frame) N.B. 1903 Pennsylvania Academy of Fine Arts Exhibition label accompanies this

John Piper C.H. (1903-1992) Tours Cathedral signed 'John Piper' (lower left) watercolour, ink, pastel and gouache on paper 55 x 37cm (21 5/8 x 14 9/16in). Footnotes: Provenance Sa

John Piper (British, 1903-1992) Mountains Near Portmadoc Mixed media on paper. Three drawings on two pieces of paper, under one mount. image (each approx.): 4 1/4 x 10 in. (10.8 x 25.4cm) Exhibited

John Piper C.H. (British, 1903-1992) Jackfield by Ironbridge, Shropshire signed 'John Piper' (lower left) oil on canvas 71.1 x 91.4 cm. (28 x 36 in.) (unframed) Footnotes: Provenance The Artist's

John Piper C.H. (British, 1903-1992) Paziols, Provence signed 'John Piper' (lower left), titled '(Provence)/Paziols' (lower right) gouache and pen and ink on paper 35 x 52cm (13 3/4 x 20 1/2in). Paint

Bedeutende Balustervase mit Iris Henri Bergé (Entwurf), Daum Frères, Nancy, um 1900 - 1903 Farbloses Glas, mit opaleszierendem Unterfang in silberhaltigem Weiß und zweischichtigem Überfang

Bedeutendes Objekt ''Sierra Jewel'' Jon Kuhn, 1992 Farbloser Glasblock mit eingeschmolzenen Plättchen aus farblosem und farbigem Glas, gesägt, geschliffen, poliert und verklebt. Sockel in Farblos un

Robert Indiana (American 1928-2018)- ''Love- Stable''- serigraph in color, ca. 1966, unsigned proof for original poster, poster edition published by Poster Originals in 1971, crease in upper left corn

Juan Rimsa (Lithuanian 1903- ?)- ''I te Pae Tahatai''- oil on cardboard, 1966, signed J. Rimsa lower right, signed, titled and dated verso. 18 x 21''

Alex Katz (American 1927- ) ''Rowboat'' (Maravell 14)- silkscreen on rose wove paper, 1966, signed in screen, edition of 500, printed by Chiron Press, NY; published by Fischbach Gallery, New York. min

LE MASQUE (L.93), 1986, cold-painted cast bronze sculpture, signed, numbered 336/375, published by Fine Art Acquisition, overall 18 ½ x 7 ½ x 4”.

Laurence Stephen Lowry R.A. (British, 1887-1976) The Football Match Offset lithograph, on wove, signed and numbered 568/850 in pencil, published by Grove Fine Art, Manchester, with their blindstamp, w

Andy Warhol, American (1928-1987). 'Blackglama'. (Judy Garland). Screenprint in Colors on Lenox Museum Board. Published in 1985 for the 'Ads Series'. Published by Ronald Feldman Fine Arts, Inc., New Y

Metropolitan Opera Fine Art II Portfolio Published in 1984 by the Metropolitan Opera Association and Circle Fine Art, complete portfolio having (6) color lithographs, table of contents and title page,

EN OBSERVATION, 1992-1993, gouache, watercolor and ink and collage on paper artist mounted to canvas, signed lower left, dated lower right, signed and dated and titled on verso, 53 ½ x 29 &frac

CHEESE MOLD STANDARD WITH OLIVE (W.31), 1969, color screenprint, signed and numbered 83/150 in pencil, published by Ed Ruscha, printed by Jean Milant and Daniel Socha at Ruscha’s studio, Hollywo

Arthur Burdett Frost (1851-1928) The Christmas 'Possum, 1900 signed "A.B. Frost" lower right gouache, 23 1/2 by 16 1/4 in. This published work appeared as an engraving in a 1900 "Harper's Weekly" maga

Important Greater Yellowlegs Pair Massachusetts, c. 1890 13 1/4 in. long This grand pair is an exceptional representation of the classic New England shorebird. Long coveted by collectors, two examples

Color etching, aquatint and carborundum. Signed and numbered 40/75 in pencil, lower margin. Printed and published by Maeght, Paris. Date of Work: 1967 Dimensions: 935x640 mm; 36 3/4x25 1/4 inches, ful

Certificate attached. Oil on canvas, framed measurements: 132 x 110, canvas measurements: 114 x 92 cm.