Lyman Byxbe, American (1886-1980), Wild Country, and Aspen Brook, two etchings, published by Rome

Lyman ByxbeAmerican, (1886-1980)Wild Country, and Aspen Brooktwo etchings, published by Rome Creations, Boulder, Coloradosigned and titled in pencil, in original box, each framed.4 1/2 x 3 1/4 inches

Lyman ByxbeNebraska/Colorado, (1886-1980)Aspen Brook, and Aspenstwo etchingseach signed and titled in pencil lower margin, framed.5 x 3 3/4, and 3 x 4 3/4 inches

Lyman ByxbeAmerican, (1886-1980)West Wind, and River Bendtwo etchingssigned and titled in pencil lower margin, framed.5 1/2 x 7 inches; and 4 1/2 x 3 1/4 inches

Lyman Byxbe 7 x 5 1/2 inches (American, 1886-1980) two etchings, Trail to Dream Lake and Singing Water, signed Lyman Byxbe (lower right)

Lyman Byxbe (1886-1980) Wild Country and In the Canyon 1. Wild Country: aquatint etching signed by the artist in pencil below the image lower right, titled lower left, circa 1941, Crump number 311. 2.

Two, framed aquatint etchings by Lyman Byxbe (American, 1886-1980), including "Lone Pine", 2.75 x 3.5, and "Lone Pine in Winter", 2.75 x 3.5, both signed and titled lower margin, each size as framed:

**First Time At Auction** Lyman Byxbe (American, 1886-1980). "Lone Pine" and "Mt. Meeker from Sans Souci 2" copper plate etchings, ca. 1930s. A lovely pair of signed etchings by Lyman Byxbe, a Colorad

Lyman Byxbe (1886-1980) R.F.D. 1934 The fine and scarce aquatint etching displays a velvety burr and effectively depicts a complex depiction of blowing snow on a winter day in low light, while a famil

James Abbott McNeill Whistler (American, 1884-1903) "Long Lagoon". Etching and drypoint, printed in brown ink on paper. From the "Second Venice Set" published in 1886. With Whistler's emblematic butte

ALDRO THOMPSON HIBBARD (AMERICAN 1886-1972)Snowy Brook, oil on canvas61 x 81.3 cm (24 x 32 in.)framed dimensions: 76 x 96.5 cm (30 x 38 in.)signed lower right PROVENANCE Vose Galleries, Boston, MA l

Aldro Thompson Hibbard (American, 1886-1972) "Snowy Brook". Signed lower right, A. Hibbard. Oil on canvas. Most likely Turkey Mountain Brook. Jamaica, Vermont. 24" x 32". Vose Galleries; A Prominent B

δ Marc Chagall (1887-1985)Le Couple sur le cheval (see Cramer 107)The original copper plate for the editioned etching, 1980, published by Gérald Cramer, together with a printer's proof in bl

Aldro Thompson Hibbard (American, 1886-1972) Vermont Snow Scenes (two works) Oil on canvasboard; Oil on Masonite 8 x 10 inches (20.3 x 25.4 cm) (each) Each signed: A. T. Hibbard PROVENANCE: Private co

Artist/Designer; Manufacturer: Frank Stella (b. 1936) Marking(s); notes: signed; ed. 8/100; 1980 Country of origin; materials: American; offset lithograph and screenprint on Arches Cover paper Dimensi

Jasper Johns (American, b. 1930) Two Flags, 1980 4-color lithograph on Eijiro Kikuchi Nishinouchi paper signed, dated, and numbered 30/56 in pencil 39 1/4 x 28 3/4 inches. Literature: Gemini G.E.L. 87

Virgil Abloh (American, 1980-2021) for Vitra, Switzerland. Group of two glazed ceramics in baby blue from his Ceramic Block series, 2019. Numbered V-VA-987 and V-VA-988, respectively. Both with their

After John James Audubon( American, 1785-1851) by John T. Bowen (American, 1801-ca. 1856), Colored lithograph entitled, "Common American Wild Cat (Plate 1) Lynx Rufus," ca. 1842, published in "The Viv

AMERICAN COUNTRY STORE DISPLAY CABINET, featuring applied cornice over two hinged doors with single pane of glass. Old surface with warm color. First quarter 20th century. 63 1/4" H, 16 1/2" W, 6 1/4"

Mid 19th century, pine. Old red wash, bin top, two left side drawers, top has stencil "59 and Co. Portland Me", "X" legs with stretchers. Could also be used as a sorting table or primitive dry sink. A

Arthur Grover Rider (American, 1886-1975). An original oil painting on canvas. Titled, "The Black Ship" depicting two male figures on a beach seascape pulling in the sails on a sailboat. Original labe

Beyond One, 1981. Signed, dated l/r, also titled, dated on the reverse. Bearing two gallery labels, Spanierman Modern, NYC, and Rosa Esman Gallery, NYC, A Curator’s Choice: A Tribute to Dorothy

Manner of R.J. Horner (American, founded 1886), late 19th century. A magnificently carved armchair with a horned figure (possibly Neptune) to the top crest rail, flanked by two highly figured gargoyle

James F. Hutchinson, American (Born 1932). Oil on canvas in wood frame, impressionist painting of Florida's indigenous peoples and the state's wild back country, signed and dated lower right, 1966. Me

Clementine Reuben Hunter (American/Louisiana, 1886/87-1988) oil on board painting depicting a wash day scene, with two women washing clothing with a kettle and washboard. Signed with monogram middle r