Manner of Jean-Baptiste Francois Pater (1695-1736)

Jean Baptiste Pater, 1695-1736; Restored 18th C. Genre Scene Landscape Oil Painting. size: 27.25 x 21.5, 34.25 x 29.25 outside frame. ASKart: Jean-Baptiste Pater (1695 - 1736) was active/lived in Fran

Oil on canvas titled The Dance Remake by Jean Baptiste Pater 1695-1736 in nice condition, nicely framed. 39" wide, 31" tall.

School of Jean-Baptiste Pater (French, 1695-1736) "Fete Galante" oil on canvas unsigned. Framed. 18" x 24-1/2", framed 23" x 29-3/8"

Follower of Jean-Baptiste Pater (Valenciennes 1695-1736 Paris) Fête champêtre oil on canvas 119.1 x 116.5cm (46 7/8 x 45 7/8in). This lot is subject to the following lot symbols: T&#80

"Livre de Morales" petite illuminated manuscript on vellum by P.C. Gilbert, Paris, 1710 with painted pastoral scene attributed to Jean-Baptiste Pater (French, 1695-1736); from a pencil inscription on

After Jean-Baptiste Pater (French, 1695-1736), print on board depicting the blindfolded game, 20 3/4" x 26" board, 24 1/4" x 29 1/2" framed.

(1695-1736) Guard at a Gate, Gate, unsigned, graphite on laid paper, 4-3/4 x 7 in.; frame, 12-1/8 x 14-5/8 in. Provenance: Private Collection

DIMENSIONS APPROX 30x34x2CM.

Jean Baptiste Pater o/c 27.25"x21.5" frame: 33.5"x29.5"

A pair of early 19th century French 18 carat gold spectacles, Paris 1809-19 by Jean-Baptiste-Francois Lebel (reg. 16 July 1774)Hinged arms and ear supports, bright cut engraved decoration to the arms

In the manner Jean-Baptiste-Camille Corot (French, 1796-1875) oil on panel river landscape, well executed and housed in a giltwood frame of the period, 12" x 16" panel, 18" x 22" framed.

Manner of Jean-Baptiste Monnoyer, 19th Century Tulips, sunflowers, poppies and other flowers in an urn oil on canvas 169.1 x 121.1cm (66 9/16 x 47 11/16in). Footnotes: Provenance Sale, Sothe

IN THE MANNER OF JEAN FRANCOIS MILLET (France, 1814-1875) - "Paysage Assise Tricotant" (Woman Knitting in Landscape), oil on panel, signed lower left "J.F. Millet", with label verso giving title and s

In the Manner of Jean Francois Millet, Gleaner,oil on board, initialed lower right, verso wax seal of crown and shield, gallery and auction label (HABE6121) {MM} Dimensions: 4 3/4 x 8, framed 7 1/2 x

Oil on Canvas Landscape in the French Impressionist style. Age darkened canvas appears to be unsigned. Pencil writing on the stretch reads D;Apres Corot, and other illegible writing. Work measures 21"

Framed oil on canvas painting, La Danse, back stretcher inscribed Lallemand No.364, sight: approx 20 7/8"h, 17 3/8"w, overall: 27.5"h, 24"w, 6.5lbs **Note: one of a pair of paintings offered in this a

Framed oil on canvas painting, Le Repas, back stretcher inscribed Lallemand, patch repair to canvas, sight: approx 21"h, 17.5"w, overall: 27.5"h, 24"w, 6.5lbs **Note: one of a

Manner of Jean-Baptiste-Camille Corot Ruisseau et Saulaie (River and Willow Grove) Bears added inscription Corot (ll) Oil on canvas 16 x 21 1/4 inches (40.7 x 54 cm) Provenance: Newhouse Galleries, Ne

Exceptional French ormolu-mounted mahogany breakfront sideboard, in the manner of Jean-Francois Leleu (French, 1729-1807), early 20th c., marble top, over rounded matched veneer and contrasting string

Sèvres style bisque (biscuit) porcelain allegorical figural group, in the manner of Jean-Baptiste Carpeaux (French 1827-1875), depicting a figure kneeling before a Classical maiden attended by putti,

Manner of Jean-Baptiste-Camille Corot Ruisseau et Saulaie (River and Willow Grove) Bears added inscription Corot (ll) Oil on canvas 16 x 21 1/4 inches (40.7 x 54 cm) Provenance: Newhouse Galleries, Ne

Late 19th century inlaid desk, in the manner of Jean Francois Hache, the bureau de dame overall with floral marquetry inlay, having drawers and compartment above a sliding tooled leather writing pad,

[WASHINGTON, GEORGE. 1732-1799.] LE PAON, JEAN-BAPTISTE. C.1736-1785. Le General Washington / Ne quid Detrimenti capiat Res publica. [Paris: Chez le Mire, C.1780.] Copper-engraved print by Noël L

Exceptional French ormolu-mounted mahogany server, in the manner of Jean-Francois Leleu (French, 1729-1807), early 20th c., marble top, over rounded matched veneer and contrasting string inlay case, f