MARY IRELAND (1891-C.1980) ‘ENCHANTMENT’ TRIPTYCH, DATED 1933

MARY IRELAND (1891-C.1980) ‘ENCHANTMENT’ TRIPTYCH, DATED 1933 appliqué ‘fabric mosaic panel’, painted silk, with applied signature to left-hand panel MARY IRELAND(Central

MARY IRELAND (1891-C.1980) COURTING COUPLE, DATED 1932 appliqué ‘fabric mosaic panel’, painted silk, bears inscription verso BOUGHT APPLIED ARTS & HANDIWORK VINCENT SQUARE, DECEMBER 1

MARY IRELAND (1891-C.1980) ‘THE EMBROIDERED KIMONO’, DATED 1935 appliqué fabric mosaic panel, mixed fabrics and painted silk, with applied signature lower right MARY IRELAND, artist&#

MARY IRELAND (1891-C.1980) ‘THE SHADOW (BLUE & GOLD CLOAK)’, DATED 1935 appliqué ‘fabric mosaic panel’, painted silk, with applied signature lower right MARY IRELAND, in o

MARY IRELAND (1891-C.1980) ‘STUDY FOR THE CHILD CHRIST’, DATED 1950 appliqué ‘fabric mosaic panel’, painted silk, with applied signature lower right MARY IRELAND, inscribe

MARY IRELAND (1891-C.1980) ‘MADONNA & CHILD WITH ROSES AND THORNS’ DATED 1955 appliqué fabric mosaic panel, painted silk, with applied signature lower right MARY IRELAND, artist&#8217

MARY IRELAND (1891-C.1980) ‘BRETON PEASANT GIRL AT ST. SERVAN’, DATED 1934, ALTERED 1950 appliqué fabric mosaic panel, mixed fabrics and painted silk, with applied signature lower lef

MARY IRELAND (1891-C.1980) ‘MARY’S VISION OF THE HOLY GRAIL’, DATED 1944 appliqué ‘fabric mosaic panel’, painted silk, with applied signature lower right MARY IRELAN

MARY IRELAND (1891-C.1980) ‘FAIRYTALE’, CIRCA 1935 appliqué ‘fabric mosaic’ triptych panel, signed verso MARY IRELAND, bears artist’s inscriptions verso ‘FAIRY

MARY IRELAND (1891-C.1980) ‘STUDY FOR OUR LADY IN BLUE & GOLD’, DATED 1950 appliqué ‘fabric mosaic panel’, painted silk, with applied signature lower left MARY IRELAND, in

MARY IRELAND (1891-C.1980) ‘GIRL IN A BLUE GOWN (18TH CENTURY)’, DATED 1936 appliqué ‘fabric mosaic panel’, painted silk, with applied signature lower right MARY IRELAND,

MARY IRELAND (1891-C.1980) ‘OLD WOMAN SEWING’, CIRCA 1935 appliqué ‘fabric mosaic panel’, painted silk, with applied signature lower right MARY IRELAND, inscribed verso OL

MARY IRELAND (1891-C.1980) ARTS & CRAFTS APPLIQUÉ PICTURE, CIRCA 1935 unfinished appliqué ‘fabric mosaic panel’, pencil, tracing paper, 27cm x 22.5cm; together with a PRESENTATIO

MARY IRELAND (1891-C.1980) ‘THE LADY HEARTSEASE’, CIRCA 1935 appliqué fabric mosaic panel, mixed fabrics and painted silk, with applied signature lower left MARY IRELAND, artist&#8217

MARY IRELAND (1891-C.1980) OLD LADY IN TRADITIONAL COSTUME, CIRCA 1935 appliqué ‘fabric mosaic panel’, painted silk, with applied signature lower right MARY IRELAND, later framed(24.5

MARY IRELAND (1891-C.1980) SEATED FIGURE, CIRCA 1935 appliqué ‘fabric mosaic panel’, painted silk, with applied signature lower right MARY IRELAND(24cm x 19cm)

MARY IRELAND (1891-C.1980) ARTS & CRAFTS APPLIQUÉ PICTURE, CIRCA 1935 appliqué ‘fabric mosaic panel’, painted silk, with applied signature lower right MARY IRELAND(28.5cm x 24.5c

MARY IRELAND (1891-C.1980) ‘A SPRING MORNING’, CIRCA 1935 appliqué ‘fabric mosaic panel’, painted silk, original frame, inscribed verso ‘A SPRING MORNING’. FAB

MARY IRELAND (1891-C.1980) STUDY FOR A CHILD’S HEAD pencil and crayon, signed lower left MARY IRELAND and inscribed STUDY FOR A CHILD’S HEAD, USED IN MEMORIAL PANEL (FABRIC MOSAIC) TO G. W

LAURA GILPIN (1891 - 1979) Setah Begay, Navaho Medicine Man , 1933 silver gelatin print signed and dated lower right: Laura Gilpin / 1933 Dimensions: 13 x 10 inches Framed Dimensions: 20 1/4 x 16 1/4

Barry Hall (British, 1933-1995) , "Magic War (Triptych)", 1961, oil on canvas, signed, titled, dated and panel number en verso of panel 1, pencil-signed, titled and panel number en verso of panels 2 &

Anna Mary Richards Brewster (American, 1870-1952) "Via Dolorosa Jerusalem", 1933 oil on canvas signed lower left, titled and dated on brass artist plaque. Framed. 18" x 13", framed 21-5/8" x 16-1/2"

Anna Mary Richards Brewster (American, 1870-1952) "Camogli [Italy]", 1933 oil on canvas unsigned, titled and dated on brass artist plaque, and on label on stretcher. Framed. 14" x 18", framed 18" x 21

Attributed to Albert Lang (1847-1933): Mill Scene Oil on canvas, 1867, signed 'A. Lang' and dated lower left. 29 x 39 in., 45 x 55 in. (frame). The Collection of Mary B. Schwab, Stoneleigh Horse Farm,