Michele Marieschi (Venezia 1696-1743), attribuito a,

Follower of Michele Marieschi (Italian, 1696-1743) The courtyard of the Palazzo Ducale, Venice oil on canvas 27 1/2 x 42in (69.9 x 106.7cm) Footnotes: The present work is based on the larger, original

Circle of MICHELE MARIESCHI Italian 1696 - 1743 Figures on Horseback in Harbor Oil on canvas 27 x 37 inches / 68.58 x 93.98 cm; Frame: 29 1/2 x 38 5/8 inches Unsigned Offered at Bonhams in 2012

Michele Marieschi, etching, Michele Marieschi (Italian, 1696-1743), View of Venice, No. 9 from a series of 24, etching, on laid paper watermarked "VC", 14"h x 20"w (sheet), unframed

After Michele Giovanni Marieschi(Italian, 1696-1743)Four Views of Veniceetchings on laid paperLot includes: 1. Piazzetta San Basso. 2. Campo dei Frari. 3. Gran Canal between Simone Piccolo and Santa C

In the manner of Michele Marieschi (Italian, 1710-1743) appears to be unsigned. 16"h x 23"w

After Michele Giovanni (Michiel) Marieschi (Italian 1710-1743), "Grand Canal with Basilica di Santa Maria Della Salute", 19th century, depicting Venetian society going about their business on a clear

Hand-colored etching of the Grand Canal by Michele Marieschi,1741 19 inches by 25.25 inches with frame, 12.50 inches by 18.50 inches without frame. An example of this etching without the hand coloring

MANNER OF MICHELE MARIESCHI "GRAND CANALVENICE" OIL PAINTING IN GOLD GILT FRAME-SIGNED FRENCKE BOTTOM LEFT-33" X 37" TO FRAME APPROX-VERY GOOD CONDITION, SOME CRACKLE- KEYWORDS DECORATIVE WALL ART TRA

Michele Marieschi , Il Canal Grande a Ca' Pesaro - Pisaurorum Familiae Aedes ad Canalis magni marginem, una cum D: Eustachij templo dextrorsum, et sinistrorsum cum parte Corneliorum aedis. 1770 ca. Ac

coppia di dipinti, olio su tela, W. 110 - H. 81 Cm

Michele Burato (Venezia 1957) "Ombre in movimento" Large circular vase with a flattened section in colorless, lattimo, black and yellow blown glass. Murano, 2004. Signed, dated and titled under the ba

Michele Burato (Venezia 1957) Vase with drop-shaped body and narrow neck in opaque black and light blue blown glass, with application of monochrome spotted murrine and bands. Murano, 1999. Single piec

Law/Jurisprudence/Economy. VESTRI, Ottaviano. In Romanae Aulae Actionem, & Iudiciorum Mores, ad Iacobu Pellaeum Eisagoghe. In fine: Venezia, Michele Tramezzino, 15478vo; 150x100 mm; Leg. coeva in perg

Aviso de favoriti e dottrina de cortegiani, con la commendatione della villa, opera non meno utile che dilettevole Venezia, Michele Tramezzino, 1549. In 8°. Marca tipografica al frontespizio, capilet

PLUTARCO. Alcuni opuscoletti de le cose morali del divino Plutarco in questa nostra lingua nuovamente tradotti. Venezia: Michele Tramezzino, 1548-49. Volume in 8vo, costituito da due parti rilegate in

(Parma, 1671 - Venezia, 1751) Pan e Siringa Olio su tela, cm 60X92 Il Rocca, detto anche Parmigianino il giovane o Michele da Parma, svolse gran parte della sua attività a Roma, dove è documentato d

FOSCARINI, MICHELE. Historia della Republica Veneta di Michele Foscarini senatore. In Venetia : per Combi, & La Noù, 1696 4to, contemporary paper board, spine enriched with handcolored paper, pp. [8]

[Engraving] Buck, Samuel (English 1696 - 1779), Buck, Nathaniel (English died: 1759/1774). "The North-West Prospect of the University and Town of Cambridge". 1743. Hand-colored engraving. Sight: 33" x

(Nove, 1824 - Venezia, 1884) Veduta Olio su tela, cm 65X131 Provenienza: Venezia, Semenzato, 25 aprile 1993, lotto 69 (come attribuito a Bernardo Bellotto) Londra, Christie's, 6 dicembre 2006, lotto 1

Tiepolo, Giovanni Battista (Italian, Venice 1696–1770 Madrid), Shepherd with Two Magicians, from the Scherzi, (DeV. 28 II, MK 80) ca. 1743–57, printed later, etching, 8 3/4 x 6 7/8 in. (22.2 x 17.

Exquisite Gilt Bronze Buddha, with DA MING YONG LE NIAN SHI Mark. H 5 7/8 INCHES.

John James Audubon (Am., 1785-1851), "Black Vulture, or Carrion Crow" Plate CVI (106), 1831, Robert Havell, Jr. edition aquatint engraving with original hand watercoloring, double-elephant folio-size

EMMANUEL ZURINI famous Formula 1 photographer, 2004, blue patented bronze model "GTO", signed and stamped, limited edition 8/8, on a marble display, 51.5x15cm, museum quality German Description EMMANU

Ägypten, Spätzeit, 650–332 v. Chr. Bronze und Holz. Schreitender Ibis mit fein ausgeführten Details in der Bronze. Der Holzkörper ist mit Leinen überzogen und übermalt. H 15,