Rembrandt: Die Windmühle

"Die Windmuhle", watercolor on paper, laid to grey backing, signed lower right, in watergilt molded frame, under a dimensional linen mat having mitered cream spacers, OS: 18" x 20", image size: 7" x 9

REMBRANDT HARMENSZOON VAN RIJN (NACH) 1606 Leiden - 1669 Amsterdam DIE GROSSE KREUZABNAHME Radierung auf Papier; Abzug von Basan, Paris (Ende 18./Anfang 19. Jh.). BM 54 x 41,5 cm, DM 52,5 x 41 cm (R.

Rembrandt Harmenszoon van Rijn1606 Leiden - 1669 Amsterdam - 'Die Enthauptung Johannes des Täufers' - Radierung. 12,9 x 10,3 cm. 13,7 x 11,1 cm. In der Platte bez. und dat.: Rembrandt f. 1640. Unter

(1606 Leiden - Amsterdam 1669). Die Ruhe auf der Flucht. Nachtstück. Radierung um 1644. 8,9 x 5,8 cm. B-57. BB 44-2. - Beschnitten u. auf Kart. aufgezogen, mit Tuschumrahmung u. Fehlst. links obe

Nach Rembrandt Harmensz van Rijn (1606-1662), 'Landschaft mit Boot und Windmühle' / 'Landscape with boat and windmill', Entwurf 1642 Technik: Kupferstich auf Büttenpapier, hinter Passepartout, Signa

John Sloan ALS Re: Favorite Old Master Artist Rembrandt: "It pays (dealers) for an artist to die!" A 1p autograph letter signed by John Sloan (1871-1951), the celebrated Ashcan School artist, as "John

SST. An incredible condition and significant piece of early Husky Motor Oils Service Station Signage showing a bright and beautiful Husky Dog graphic with light burst graphics behind. CONDITION: This

Ernst Fuchs "Die Aufnahme Mariens gekrönet in den Himmel" pastel on canvas; framed 250 x 250 cm signed on the lower left: Ernst Fuchs inscribed and signed on the reverse: Die Aufnahme Mariens gekr�

Fisk "Red Top" Tires Die Cut Metal Flange Sign TAC 9. Sign has good color, some shine, has light soiling. Measures 24.25"x18". Rated 9 by The Authentication Company (TAC #039084).

DSP. What an incredible piece of Neon Porcelain Advertising for Coors Dairy. This piece is two single sided signs mounted on a can with original porcelain bullnose. The cow shows areas of chipping, as

Impressive Antique Old Master portrait painting. Oil on canvas. Measuring 38L x 54.5H. No signature found. Please see all images for condition and size. BLACKLIGHT AND DETAILS: https://www.dropbox.com

scultura in bronzo, cm 16x23x36. Firma e data 1901 incisi alla base

REMBRANDT VAN RIJN Self Portrait in a Cap and Scarf with the Face Dark: Bust. Etching, 1633. 135x105 mm; 5x4 inches, wide margins. Biörklund's third state (of 3); Usticke's third state (of 5); Ne

SSP. What an incredible condition piece of Circa 1930's Porcelain Advertising for Hood Tires. This piece is most likely New Old Stock and is by far the highest graded example of this Sign we have ever

Oskar Kokoschka and Wiener Werkstätte The dreaming boys "Die Träumenden Knaben" lithographs in black, blue, yellow, green and red on illustration paper; cloth-covered cardboard binding; insc

SSP. Wow! What an outstanding and rare piece of Ford Neon advertising. Sign is three dimensional Porcelain with porcelain face as well as sides, and shows bright red neon that glows bright. Sign is in

Maria Lassnig "Die Unterscheidung der verschiedenen Sinneswahrnehmungen" mixed media on paper; unframed 43 x 61 cm inscribed on the lower right: Die Unterscheidung der verschiedenen Sinneswahrnehmunge

Arik Brauer "Die Braut im Morgenrot" watercolour on paper; framed 46 x 34.5 cm (cut-out) signed on the lower right: Brauer numbered and inscribed on the reverse on packing paper: 824 Die Braut im Morg

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Albers, JosefDie Oberfläche. 1965. Portfolio mit 5 Farbserigraphien. Je auf leichtem, gefalteten Vélin. Blattmaße je 31 x 31 cm (gefaltet). Je signiert, betitelt und nummeriert. Je lose

Rembrandt Harmensz Van Rijn (Holland, 1606-1669)Christ before Pilateetching with drypoint and engraving on laid paperLarge Plate (B., Holl. 77; H. 143) Etching with drypoint and engraving, 1635-36, wa

MIKHAIL MAKAROVICH SAZHIN 1818 Galich - 1887 Omsk, Russian Empire View of the church of St Gregory the Theologian and St Petersburg in the distance (1860) (1860) Oil on canvas. 53 x 43 cm. Signed in C

Rembrandt van Rijn (Netherlands, 1606–1669) . Ephraim Bonus, Jewish Physician, Etching. B 278; Three margins have been trimmed, Verso, adhesive on corners; staining . 8 5/8" x 6 7/8".

DSP. What an incredible example of this Circa 1920's Porcelain Visible Pump Paddle Sign from Shell Gasoline showing the early and detailed, "Fluted Shell" graphic. This piece is by far the highest gra