REMBRANDT HAMERSZOON VAN RIJN (in the manner of)

(Dutch, 1606-1669) Portrait of a Lady, unsigned, late 19th/early 20th century, oil on canvas, 30 x 24-1/2 iin.; modern gilt wood frame, 34 x 28-1/2 in. Provenance: Private Collection, Palm Beach

MANNER OF REMBRANDT VAN RIJN, OIL ON CANVAS, H 30", W 26", PORTRAIT OF MAN A 19th century oil on canvas in the manner of Rembrandt van Rijn. Depicting the portrait of a bearded man with a distant gaze

Manner of Rembrandt van Rijn (Dutch, 1606-1669), Beggars at the Door, etching, bears signature within print lower center, overall (with frame): 14"h x 12"w

Oil on board painting. Dutch origin, Golden Age era, 1575 to 1675. The artwork depicts a portrait of a man with a grey beard. In the manner of Rembrandt van Rijn, from 1606 to 1669, was a prominent Du

In the Manner of Rembrandt van Rijn (18th/19th century) Portrait of a Man Holding a Goblet oil on canvas signed illegibly lower left 18" x 15" Provenance: A Private Midwest Collection

Oil on board painting. European, late 18th century. In the manner of Rembrandt van Rijn, 1606 to 1669, a prominent Dutch Golden Age artist. The artwork depicts a multi-figure scene from the Old Testam

Manner of REMBRANDT VAN RIJN (Dutch 1606-1669) "Portrait of an Elderly Man" Oil on canvas mounted on wood. 23 3/4 x 19 inches; Frame: 29 x 24 1/4 inches. Unsigned. CONDITION: In overall fair condition

This painting, originally sold at Christies NY , it depicts an old man with covered head and white beard. In the manner of Solomon Konnick, Rembrandt Van Rijn, We found this painting in an attic in Ma

Manner of REMBRANDT HARMENSZOON VAN RIJN (Dutch 1606-1669) 'Christ Miracle' oil on masonite, 18.125 x 12.25 inches; overall with frame: 23.25 x 17.625 inches, unsigned.

Masterful Rendition of a work by Rembrandt Harmeszoon Van Rijn (Dutch, 1609-1669) - "Girl at a Window" (1645). Colors, light and composition, true to the manner of the Dutch Great. Signed REMBRANDT F.

REMBRANDT VAN RIJN Self Portrait in a Cap and Scarf with the Face Dark: Bust. Etching, 1633. 135x105 mm; 5x4 inches, wide margins. Biörklund's third state (of 3); Usticke's third state (of 5); Ne

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (Netherlands, 1606–1669) . Ephraim Bonus, Jewish Physician, Etching. B 278; Three margins have been trimmed, Verso, adhesive on corners; staining . 8 5/8" x 6 7/8".

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt van Rijn (1606-1669)Death Appearing to a Wedded Couple from an Open GraveEtching and drypoint, 1639, a delicate and excellent impression of the only state of this rare print, with wiping mar

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Artist: Rembrandt Van Rijn Title: Self Portrait with Saskia Dimensions: 3.5in. by 4in. Edition: From the rare limited edition Medium: Etching Condition: Excell

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, an excellent impression of New Hollstein's third state (of six), still printing wi

Title:Follower of Rembrandt van Rijn Huge Family Portrait Interior Oil Painting Dutch Old Master from Estate of Olympian Description: Massive oil-on-canvas interior family portrait, signed Rembrandt,

Rembrandt van Rijn (Dutch, 1606-1669), St. Jerome in a Dark Chamberetching, 1642, on laid paper, possibly a Basan edition, with additional window pane bars, signed and dated in the plate lower center,

Rembrandt van Rijn (1606-1669) etching, portrait of a gentleman. Triple matte, in painted and gilt wood frame. [Art: 3 1/4 x 2 1/2 inches; Frame: 10 x 9 1/4 inches].

A rare etching with margins on paper titled "Bald Headed Man in Profile Right; Small Bust (the artist's father?)" (B. 294, H. 24, BB. 30-11) by Rembrandt Van Rijn, c. 1630. Signed and dated, R L 1630,

REMBRANDT VAN RIJN The Agony in the Garden. Etching and drypoint, circa 1652. 112x85 mm; 4½x3 inches, narrow margins. Usticke's first state (of 2); New Hollstein's first state (of 3), before the

Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat