RICHARD AVEDON - John Martin, Les Ballets Trockadero de

Artist:RICHARD AVEDON Print Title: John Martin, Les Ballets Trockadero de Monte Carlo, 1975 Medium:Photo-lithograph Printed in 2000’s in Denmark Image size (inches) approx. 13 x 10” Rich

Richard Avedon Seattle Art Museum Exhibition Poster, 1976. Dated May 13, 1976. Depicts images of Willem de Kooning and John Martin. Measures 26x19.5". Some light spotting on right side, otherwise very

Artist: Howard Schatz Title: Bart De Block, Les Ballets Trockadero de Monte Carlo Medium: Photo Litho, 1997, Hong Kong Dimensions: 10.25x13.45" Description: Heat Wax Mounted on 14x18" Conservation Boa

KRIS MARTIN(1972)Les jours de Fete2002Stainless steel flagpole, ed. 3/10Lenght: 300 cmDiameter 8 cmDimensions of the wall mount: 22 x 10 x 10 cmWork accompanied by a certificate of authenticity issued

RICHARD AVEDON (1923-2004) Shoe, Place de trocadero, Paris August, 1948 Photo-litho 10" x 8"

RICHARD AVEDON (1923-2004) Rudolf Nureyev, Ballet Dancer, Paris Print in Colors, Printed in the 1990s 9 3/4" x 12 1/4"

169. MARTIN BALLET DANCERS | France, "Les joyeux danseurs," circa 1888, scarce first period Martin rubber band mechanism toy, hand painted tin figures appear to dance atop a lithographed tin stage bas

FRANKLIN, BENJAMIN The Way to Wealth or Poor Richard Improved; La science du Bonhomme, Richard, ou moyen facile de payer les impôts. Paris: Printed [by P. Causse, Dijon] for Ant[oine] Aug[ustin]

Les Fosses de rue Chailly Pastel on paper over board under glass Signed lower left: L. Lhermitte 14.5" H x 12.75" W Provenance: Sold: Hotel Drouot, Paris, France, November 27, 1990 Galerie Jonas

Dali, Salvador Decaux u. Léon Zitrone, Alain Les Chevaux de Dali. Préface de Yves Saint-Martin. Mit 1 handsignierten und 18 im Stein signierten Original-Farblithographien sowie einer Origina

''Katherine II'', from the ''Joie de Vivre'' series, bust of a young woman Bronze with cream patina, raised on a rotating brown marble base Signed on the base: R. Macdonald Overall: 18.875'' H x 9.25'

''Lagoon at Santa Barbara'', faintly signed with initials and dated lower left: LdeF / Oct. 1902, oil on paper, 9.75'' H x 14'' W, est: $1000/1500 Exhibited: Richard York Gallery, New York, NY, ''Lock

Montaigne (Michel Eyquem de) The Essayes or Morall, Politike, and Militarie Discourses, translated by John Florio, third edition, additional engraved title by Martin Doreshout (slightly abraded) and i

Jasper Johns Savarin I (Cookie) 1978lithograph on Richard de Bas image (irreg.): 16.25 h × 11.375 w in (41 × 29 cm) sheet: 25.875 h × 20.125 w in (66 × 51 cm) Signed

Richard Avedon (American, 1923-2004) photograph "June Leaf", large format silver gelatin on paper, signed and stamped on reverse, edition 4/10, measures 50" x 40" sheet, acrylic shadowbox frame measur

Ingrid Boulting, Coat by Dior Paris Studio, January 1970 24" x 20" photograph from an edition of 50 with letter from Avedon to the original owner

[TRAVEL POSTERS]. PEIKERT, Martin. Les Diablerets. Switzerland: Klausfelder S.A. Vevey, [ca 1940s].25 1/8 x 40 in., poster (small tear at upper edge with tape repair, additional tape to verso of lower

John Martin Tracy (1843-1893) Leicester signed "J.M. Tracy" lower right oil on board, 10 1/2 by 14 in. Newhouse Galleries labels on back with title, artist John Martin Tracy was born in Rochester, Ohi

Follower of Martin de Vos (Flemish, 1532-1603) Allegory of the Coming Persecutions oil on panel mounted to later stretcher frame 40 x 30in (101.5 x 76cm) Provenance: Property from the Estate of Dr. Te

Martin (John) [The Paradise Lost of Milton], calligraphic manuscript title in pen and black ink that reads 'Mezzotint Collection/ Engraved/ by/ John Martin/ London/ 1829', with set of 24 mezzotints wi

Robert Motherwell (1915-1991) At the Edge (Engberg & Banach 345), 1984 Aquatint, lift-ground etching and aquatint on Auvergne à la Main Richard de Bas handmade paper, signed in pencil and numbere

Pablo Picasso (1881-1973) LA CÉLESTINE (CRAMER 149) Seven etchings and aquatints, 1971, on Richard de Bas laid paper with La Célestine watermark, with added signature and number 21/50 in pen

Bacchanale'; 1955; aquatint on Richard de Bas paper; signed in pencil and numbered 91/250; 18 1/2 x 22 1/8 inches; 29 1/2 x 31 1/2 inches frame

A chocolate mink coat with notch collar and self-tie belt worn by Judy Garland in the 1968 Blackglama "What Becomes a Legend Most?" advertising campaign that was photographed by Richard Avedon. Garlan