Robert Macpherson (1811-1872) The clif of Terracin

Description: Robert MacPherson (1811–1872) Albumen Photograph, No. 28, c 1860, depicting the Arch of Titus, Spoils of Jerusalem relief, Rome, blindstamped 'R. Macpherson, Rome' and numbered

ROBERT MACPHERSON 1811-1872 Planche 354. Another view of the same taking in the Castle ; Planche 374. The Vigna Santucci with Mentana where the Garibaldini were first discovered, and driven back by th

ROBERT MACPHERSON 1811-1872 Planche 125. Ponte Lugano - with the Tomb of Plautius, ca. 1855-1865. Tirage albuminé en tondo monté sur carton, tampon sec ovale « R. MACPHERSON ROME » et numéro de l

ROBERT MACPHERSON 1811-1872 Planche 171. Valley of the Tiber at Ponte Felice near Borghettaccio, between Civita Castellana and Otricoli ; Planche 172. The bridge of Augustus at Narni, from the modern

Large format 19th century albumen photograph of the Fontana del Tritone / Triton Fountain by Bernini in Rome's Piazza Barberini. Photograph appears in good condition with some normal signs of age, etc

Large format 19th century albumen photograph of The Tomb of Cecilia Metella / Caecilia Metella, Rome. Photograph with some signs of age, foxing spots to sky area, etc. R. MACPHERSON ROME blindstamp wi

Horace Greeley (1811-1872) founder and editor of The New York Tribune, a small archive of family letters and ephemera including 4 Horace Greeley signed letters (1867-69) on NY Tribune letterhead, an i

Botanical watercolor study on paper by Leopold Zinnögger (Austrian, 1811-1872); of pale red-purple hyacinth flowers; signed and numbered in pencil to lower right; 12 3/4" x 8 3/4"

Manner of Zeng Goufan (Chinese,1811-1872), Calligraphy, ink on paper, of 19 character couplets, bearing signature and two seals on the left side, calligraphy: 52.45’’h x 23’’w, overall (scroll

Botanical watercolor study on paper by Leopold Zinnögger (Austrian, 1811-1872); of deep blue flowers; signed and dated '14 Dec. 1830'; 13 1/2" x 9 3/4" (sight); ma

Ink on paper, hanging scroll, featuring pair of Chinese calligraphy in semi-cursive script, signed Zeng Guofan (1811-1872, Chinese), inscribed with two seals, dated 1877, 136 x 31 cm. Zeng Guofan was

BARBIER, George (1882-1932) - GAUTIER, Theophile (1811-1872) - Le Roman de la Momie. Paris: Mornay, [1929]. Copy n. 599 from an edition of 1,000. 4to (200 x 150mm). Color pochoir frontispiece, head- a

Eugene Roberts (1872-1948) for Weller Pottery Co. Eocean earthenware vase with red and white chrysanthemum decoration Zanesville, Ohio, circa 1905 high glazed ceramic impressed factory marks, painted

1872 ROBERT E. LEE 1st/1st CIVIL WAR Confederate RARE Biography CSA Mrs. LEE “Popular Life of Gen. Robert Edward Lee” written by Emily Virginia Mason is an expansive biography of Confedera

NO RESERVE MacPherson (Robert) Roman and Vatican Frescoes and other Works of Art, a group of sixteen albumen prints, 15 x 33 cm. to 33 x 22 cm., on original card mounts, each with blind-stamped photog

English, early 19th and 20th century, two entrees with oval with gadroon borders, hinged handle, one with marks for John Hunt & Robert Roskell, London, 1872, base marked Late Storr & Mortimer, "62

with pineapple form wood finials made in London in 1801. Maker's mark "RH?" (marks rubbed), possibly for Robert Hennell (1741-1811), scratches, a few dents, dings, one finial slightly bent. 4 1/4" hig

Suite of Four Victorian Sterling Silver Salt Cellars hallmarked London, 1871-1872, by Robert Hennell IV (1826-1891; free 1849), with coquille-form bowl raised on three dolphin feet, the interior gilt.

Zeng Guofan (November 26, 1811-March 12, 1872), originally named Zicheng, styled as Bohan, nicknamed Disheng, was a statesman, strategist, Neo-Confucianist, writer, and calligrapher in the late Qing D

style of Robert Brough (Scottish, 1872-1905), Woman in Profileoil on canvas, unsigned, presented in a later gilt composition frame with linen liner. DOA 34.5 x 28 in. Robert Brough apprenticed as a li

Mason's Ironstone (English, 1813-1973), Robert Hamilton (English, 1811–1826), first quarter 19th century. Two blue and white earthenware platters, one by Mason's in the "Blue Pheasant" pattern and t

Manner of Robert Winthrop Chanler (1872-1930) "Undersea Life," oil and gold leaf on Masonite, not signed. Framed. Chanler is known for his fantastical folding screens depicting exotic animals in movem

possibly 1793 (marks rubbed), maker's mark "RH" for Robert Hennell (1741-1811). Finish wear, loss to handle, interior crack to body at hinge. 4 3/4" high, 6 5/8" wide. Weight: 7.4 OZT.

ALLOM, Thomas, illustrator (1804–1872). –– WALSH, Robert, Rev. Constantinople and the Scenery of the Seven Churches of Asia Minor. London: Fisher & Son, ca. 1838. 2 volumes in one, 4