Waiting at Cemetery Hill Wayne Jachson Gettysburg Print

Pair of Civil War Prints. "Battle of Gettysburg - Charge of the Confederates on Cemetery Hill, Thursday Evening, July 2d, 1863." Page 335. Signed AB in Lower Right. / On the back, "The plantation poli

The Battle of Gettysburg- Cemetery Hill During the Attack of the confederates Cape Girardeau, Mo., An Important Strategic Position on the Mississippi between Cairo and St. Louis etc. as pictured

Scene in Laurel Hill Cemetery, Pennsylvania Vignette. Print Type: Engraving Date: Circa 1850 Origin: United States Dimensions: 6

CIVIL WAR GETTYSBURG PRINT, lithograph on paper, depicting the distribution of Confederate and Union forces, and the terrain of the battlefield, as well as the plan of the National Cemetery, with capt

" Holding the Line at Cemetery Hill" Classic large boxed set 23 pieces, limited edition, this is set #4. Includes all paperwork. Box corner splits, some paint chips on the figures. Mostly very good to

Albumen print of the Soldiers' National Monument which is located at the central point of Gettysburg National Cemetery. Verso bears Mumper and Co.’s stamp. Measures ~8 x ~6 inches.

Battle of Gettysburg Charge of the Confederates on Cemetery Hill Thursday Night July 2, 1863 Artist: Edwin Forbes Print Type: Wood Engraving<

Itzchak Tarkay (Israeli, 1935-2012). A modern abstract serigraph print on woven paper. Titled, "Waiting in the Tavern." Sight size is 32 inches by 48 inches. Numbered 350/350 in lower left hand corner

Seong Moy (Chinese American 1921-2013). A signed and numbered limited edition woodcut print.. Titled, "The Royal Maid in Waiting." A figural work produced in the Mid Century Modern abstract style with

Hector Veitia (Cuban, Born 1939). A large architectural landscape photographic art print. Depicting the dilapidated crypts and mausoleums of a Havana cemetery. Accompanied by the artist's business car

Wayne Thiebaud (American, b. 1920), "Neighborhood Ridge," 1984, hand ground etching with aquatint and dry point, pencil signed and dated lower right, edition 12/50, image: 14"h x 10"w, sheet: 23"h x 1

Wayne Thiebaud (American, b. 1920), "Suckers State II," 1968, lithograph in red, edition 129/150, pencil signed, dated and editioned lower right, published by Gemini G.E.L. (Los Angeles, CA), image: 8

Wayne Thiebaud (American, b. 1920), "Suckers State I," 1968, lithograph, edition 115/150, pencil signed, dated and editioned lower right, published by Gemini G.E.L. (Los Angeles, CA), image: 8"h x 14"

Wayne Thiebaud (American, b. 1920), "Sandwich," from Seven Still Lives and a Rabbit, 1970, linocut in colors, pencil signed lower right, dedicated "for Arnera," lower left, aside from the edition of 5

Wayne Thiebaud (American, b. 1920), "Eyeglasses," 1994, color hard ground etching with drypoint, pencil signed and dated lower right, edition 1/50, published by Crown Point Press (San Francisco, CA),

Wayne Thiebaud (American, b. 1920), "Dark Canyon Bluffs," 2014, spit bite aquatint with direct gravure and drypoint, pencil signed and dated lower right, edition AP 10, published by Crown Point Press

Wayne Thiebaud (American, b. 1920), "Dark Chocolate," 2014, direct gravure, pencil signed and dated lower right, edition AP 10, published by Crown Point Press and printed by Emily York, image size: 4.

Wayne Thiebaud (American, b. 1920), "White Chocolate," 2014, direct gravure printed in brown, pencil signed and dated lower right, edition AP 10, published by Crown Point Press and printed by Emily Yo

Wayne Thiebaud (American, b. 1920), "The Dog," 1957, lithograph in colors, pencil signed and dated lower right, edition 4/25, Fifth International Biennial for Contemporary Color Lithography label affi

EDWARD STEICHEN (1879-1973) Mine Craters Combres Hill. Silver print, the image measuring 6&#189;x9 inches (16.5x23.2 cm.), the sheet slightly larger, with Steichen's title in pencil on verso. 1918-19P

Silver Gelatin Print. "Cemetery Statue and Oil Derricks, Long Beach, California, 1939". Printed 1976. Signed on mount lower right. From a Chappaqua, NY collection. Dimensions: Sheet: 15" high x 18.25"

BRETT WESTON (American 1911-1993) "Guatemala Hills" Silver gelatin print. Image: 15 1/8 x 19 inches / 38.41 x 48.26 cm; Mount: 22 x 25 inches / 55.88 x 63.5 cm. Signed in pencil on the mount lower rig

ANSEL ADAMS (American, 1902-1984), "Rain Sonoma County Hills," gelatin silver print mounted on board (Chine-collé), restored, (approximate dimensions - image: 15 1/4 x 19 1/2 inches, board: 22 x 26

(British, 1904-1983) Francis Bacon on Primrose Hill, signed, gelatin silver print 13-1/2 x 11-1/2 in.; unframed Provenance: Phillips de Pury, New York, NY, 2010. This lot is accompanied by copy of ori