Walter E Tittle Signed Dry Point [Woman w/Flowers]

Walter Ernest Tittle (Ohio, New York 1883 - 1966) signed dry point. Signed 'Walter Tittle imp' in pencil lower right. Title 'Blossom Time' printed under image window. Print mounted in custom mat / boo

Walter Tittle, drypoint, Walter Tittle (American, 1883-1960), "George Bernard Shaw", 1931, drypoint, signed lower right, 7"h x 8.25"w (to platemark), framed

Walter Ernest Tittle (1883-1966) Blossom Time 1934 The drypoint etching published by The Print Makers Society of California in an edition of 215 prints is signed by the artist in pencil below the imag

Walter Tittle (1883-1966) ''Interior- London Art Gallery''- drypoint, 1931, signed and inscribed in pen. 13 3/4 x 10 1/2''

Walter Tittle (American, 1883-1966) Portrait of Augustus John. Drypoint etching. Signed in ink lower right, and signed in plate upper left Sight: 10.25" x 8.25" Frame: 21" x 17"

Two including "Caryatid" and "The Glory that is Chartres." Both pencil signed and numbered, both in mats. Dimensions: (Larger mat) H 20" x W 16", (Paper) H 19.5" x W 14.5" Condition: Good impressions.

Original drypoint etching circa 1935 titled "Wisconsin Grouse" by Walter E. Bohl. Etching is of a hunting dog with tree and flying birds. Signed and numbered 29 of 75. Measures 5.75" x 7.75" (Framed 1

Drypoint etching. Sargeant Room in the Tate Gallery. Signed in pen. Dimensions: (Mat) H 19" x W 24", (Paper) H 13.75" x W 18" Condition: Good, strongly inked impression. Tape to upper edge. Note: All

Edmund Blampide, English, 1886-1966. Drypoint etching on paper entitled "Summer 1914". Features a woman walking with parasol. Signed "Blampied" within plate at lower right, and signed "E. Blampied" in

Two drypoint etchings. Elgin Marbles and Elgin Marbles II. Both signed in the plate. Both pencil signed. Dimensions: (Mats) H 19" x W 24", (Paper) H 12.5" x W 19.75" Condition: Good, strong impression

Salvador Dali pencil signed & labeled E.A. framed dry point etching with gold leaf from the series "Songs of Solomon" - 22 1/2" x 29 1/2" O.D.

Author: Pablo Picasso. Title: Portrait of a Woman after Cranach the Younger. Description: lithograph signed to dry point with dry stamp of JOHNSON . publisher and numbered 198/333. Measures without fr

Louis Icart (1888-1950, French) original dry point etching with hand coloring titled "Smoke" E.126, pencil signed, with embossed windmill stamp, dated 1926. 22" x 29.5" oa

"The Island." Dry point. Signed and titled in pencil. 9 1/2 x 12 1/2 inches. Note: Appears to be the first state (e.g. cloud details in left sky.) See, Art Institute of Chicago, Reference Number: 1920

LOUIS ICART (French 1888-1950) AN ETCHING, "Masked Woman and Man," aquatint and dry point on paper, signed L/R. Copyright 1920. 15" x 18".

EDWARD T. HURLEYOhio, 1869-1950“Fountain Square, Cincinnati”. Signed in pencil “E.T. Hurley - A-N-A”.Dry point etching, 8.75” x 11.75” to the plate line. Framed 20.75” x 15.75”.

Harold Altman (1924 - 2003) dry point etching, artist proof 'Walking Women', signed and titled lower margin. Framed and matted. Measures: 7" x 4 1/2" sight, 13 1/2" x 10" overall.

Edvard Munch Cruelty (Grusomhet) 1905drypoint image: 3.75 h × 2.75 w in (10 × 7 cm) sheet: 14 h × 10 w in (36 × 25 cm) Signed to lower right 'E. Munch'. This work was printed by Otto F

Louis Icart (French, 1888-1950) colored drypoint etching depicting a reclining woman with hat and flowers, signed lower right, with raised Paris stamp, copyright 1937, L. Icart, NY. [Art: 17" H x 25"

Paul César Helleu (French, 1859-1927) Young woman with a bonnet, dry point etching on paper in gilt wood frame. Signed in stone "Helleu" lower right. Circa 1920. [Sight: 24 x 13 1/2 inches; Frame: 29

DANCE DE VIE IV, 1983, dry-point etching on Chine colle over wove paper, signed in pencil and inscribed E.A. (artist's proof), image 14 1/2 x 11", full margins, framed.

Mary Cassatt (American, 1845-1926) , "Margot Resting Arms on Back of Armchair", c. 1900, drypoint on paper, pencil-signed lower margin, watermark of woman with spear and shield (Charles Ball) visible,

Etching with burin and dry point on Japanese mother of pearl paper. Signed and numbered 107/180. It originally accompanied the book, "Recordant el doctor Reventós (Homenatge dels seus amics)", Barcel

Color etching, drypoint and aquatint by Louis Icart (French, 1880-1950), titled Hydrangeas; the oval form showing a woman reclining in flowing gown amid the titular flowers; signed in pencil t