Georges Goursat, alias SEM - Le père la victoire, 1918

Georges Goursat, alias SEM (1863-1934)Caricature, c. 1890-1920Lithograph on wove paper, printed on a double page.Signed on the plate lower right margin.Ink stamp on the back.Dimensions:+Size of the sh

SEM ( Georges Goursat 1863-1934) Pour Le Triomphe Souscrivez a l'emprunt national original poster printed by Devambez 1917 - 105 x 80 cm From a recently discovered collection of French and US WW1 post

SEM Georges Goursat (1863-1934) Pour le dernier quart d'heure aidez moi, original poster printed by Devambez c.1915 - 80 x 120 cm; and four others (5)

Auguste-Louis Lepere French 1849-1918) Sur La Tamise, En Attendant le Depart du Bateau, (Departure for Greenwich) 1892, etching and drypoint, signed in the plate lower left, matted and framed in plexi

Auguste Louis Lepere (French, 1849-1918). Limited Edition signed etching on paper, titled "Le Marche a La Ferraille" (Scrap Metal Market), from L'Oeuvre Grave Sur Bois de Auguste Lepere: Premiere Seri

Auguste Louis Lepere (French, 1849-1918). Limited Edition signed etching on paper, titled "L'Ecluse de la Monnaie" (The Toll Locks), from L'Oeuvre Grave Sur Bois de Auguste Lepere: Premiere Serie, dep

Auguste Louis Lepere (French, 1849-1918). Limited Edition signed etching on paper, titled "La Fontaine" (The Fountain), from L'Oeuvre Grave Sur Bois de Auguste Lepere: Premiere Serie, depicting a Pari

SEM (GEORGES GOURSAT, 1863-1934) CANNES. Circa 1930. 31½x47½ inches, 80x120½ cm. Draeger, [Paris]. Condition A: punch holes in top margin. Riviera 509.

Shipping in USA $ 240. Emile Louis PICAULT (1833-1915), 'Sur le champ du labeur, la victoire est feconde', bronze statue of man with wings, 1900s.

59mm case diameter. Unmarked Le Phare Swiss movement #13244. Engine-turned hunters case pocket watch. White enamel dial with black Arabic numerals. Gold-tone filigree hands and a blued steel spear chr

1902 French adventure short film directed by Georges Méliès. Inspired by a wide variety of sources, including Jules Verne's 1865 novel From the Earth to the Moon. 16mm short film on onereel, Good co

Alfred Plauzeau (French, 1875 - 1918) Le Femme Captive Oil on canvas. Signed lower left A. Plauzeau 76" x 50"; framed 87" x 61" Provenance: Christie's London, June 21, 2001 Lot 79

Sandor BANSZKI (1888-1918), Ecole franco- hongroise Homme accroupi, d'après le modèle de 1914 Bronze à patine brune. Fonte posthume à la cire perdue , cachet du fondeur Rosini, Paris. Signé , num

After Marc Chagall (French/Russian, 1887–1985) Avenue de la Victoire à Nice (from Nice et la Côte d'Azur), 1967 color lithograph signed and numbered LXI/LXXV in pencil 24 x 18 inches.

Olio su tela, cm. 38x46. Firma in basso a destra. Sul verso: timbri Exposition Douanes Pisis. L'opera è registrata presso l'Associazione per Filippo de Pisis, Milano, con n. 05531. L'opera è acc

(1893 Barcelona - 1983 Cala Major/Palma de Mallorca) Blatt Nr. 5 aus dem Portfolio "Le Lézard aux Plumes d'Or"/"The Lizard with Golden Feathers". Originaltitel Farblithographie/Pergament, 1

Jean-Pierre Cortot (French, 1787-1843), “Le soldat de Marathon Annoncant la Victoire,” 1834, bronze sculpture, signed and dated on base, inscribed with foundry mark "F. Barbedienne Fondeur

Maxine Camille Louis Maufra (1861 - 1918), Le Saut du Loup, oil on canvas, 21 3/4" x 18 1/4", signed and dated lower left Maufra 1912, titled on the stretcher, original Roland, Browse and Delbanco, Lo

Georges Mazilu(b. 1951)La Tentation (The Temptation)acrylic on linensigned lower right: Maziluinscribed verso: George Mazilu / La tentation25 1/4 x 20 3/4 in. (64.14 x 52.71 cm.), Frame: 33 x 28 3/4 x

Fred Yates (British, 1922-2008) C'est Vrai Le Printemps La Motte signed 'FRED YATES' (lower left) oil on canvas 59 x 59cm (23 1/4 x 23 1/4in). Footnotes: Provenance The Estate of

LE CORBUSIER La Mer est Toujours Présente. Portfolio with complete text and 10 lithographs, 1962. 560x490 mm; 22x19¼ inches (sheets), full margins, loose as issued. One of 120 numbered copie

This artwork shows the same landscape as Georges Seurat's painting Le Pont de Courbevoie from 1886–1887 in the Courtauld Gallery, London. In contrast to the painting, the human figures are missing,

Braque Georges DANS LE CIEL (OISEAUX XV). 1958 Litografia a 4 colori. mm 288x363. Foglio: mm 380x555. Vallier, 124. Firmata e numera a matita “ 31/75”. Tiratura a 75 esemplari firmati e numerati e

Four bronze plaques, 1853, all signed 'F. Lavastre' and dated lower right, titled and signed on paper labels on the reverse of the frames, all with stamps from Olivier et Cie, Paris. 12 x 10 in., 16 1