American Rococo Revival Etagere

American Rococo Revival Rosewood Cabinet-Base Etagere, third quarter 19th century, New York, the upper section with a deeply carved fruit and foliate crest over an arched apron plate, flanked by shape

An American Victorian Rococo Revival EtagEreMid-19th centuryIn the style of Thomas Brooks, carved rosewood with multi-tier open gallery shelves and veneered concave enclosure below an arched pediment

American Rococo Revival Rosewood Etagere with Mirrorcirca 1875103 x 59 x 21 1/2 inchesProvenance:Property from a Texas Estate

American Rococo Revival Walnut Etagere with Marble topcirca 1870decorated with carvings of flowers, foliate, scrollwork and a cartouche shield87 1/2 x 55 x 20 inchesProvenance: Property from a Pittsbu

American Rococo Revival Walnut Cabinet-Base Etagere third quarter 19th century, in two parts, the upper section with a broken-arch crest centered by a finial, over a pair of shelves backed by mirrors

American Rococo Revival Rosewood Etagere/Hall Stand third quarter 19th century, probably New York, the upper shelf with a deeply carved fruit, floral and leaf crest over a mirror plate, the serpentine

AN AMERICAN ROCOCO REVIVAL ROSEWOOD ETAGÈRE CONSOLE, MID 19TH CENTURY, with a breakfront broken arch pediment flanking a scrolled finial over a panel backed carved rose bloom cluster flanked by s

American Rococo Revival Rosewood Corner Etagerecirca 187079 1/2 x 31 x 21 inchesProvenance: Property from a Pittsburgh, Pennsylvania Estate

An American Victorian Rococo Revival server/EtagEreMid-19th centurySigned: E.W. Hutchings / Cabinet Ware Rooms / 475 Broadway N.Y.With carved wood open gallery with arched pediment and mirrored back o

American, early 20th century. A Rococo Revival etagere or vitrine, the upper portion having a carved floral pediment, centered with a floral female face, surrounded by swagged roses and vines, resting

Style of J. & J. W. Meeks (American (New York), 1797-1869), circa 1850-60. A monumental rosewood and mahogany etagere in the Rococo Revival style comprising a trapezoidal mirrored backboard with tiere

Dramatic Four-Piece American Rococo Revival Rosewood and Marble-Top Bed Set third quarter 19th century, probably Baltimore, Maryland, consisting of a high-back bedstead, with a triple-panel headboard

American Rococo Revival Walnut Recamiercirca 1860decorated with carvings of scrollwork, foliate and cartouche shields46 x 83 x 32 inchesProvenance: Property from a Pittsburgh, Pennsylvania Estate

A five piece American Rococo Revival laminated and carved rosewood parlor suite, attributed to Charles Baudouine (New York, 1908-1895), consisting of a triple back settee, two armchairs, and two side

American Rococo Revival Carved Rosewood Parlor Suite Attributed to J and J Meeks. John and Joseph Meeks. Stanton Hall pattern. A composite suite, comprising two settees, two side chairs, and an armcha

Pair of American Rococo Revival Laminated Rosewood Armchairs in the "Henry Clay" Pattern, mid-19th century, attributed to John Henry Belter, New York, each with a floral-, foliate- and fruit-carved cr

Monumental James S. Earle & Sons (American 1832-1900). Victorian era Rococo Revival giltwood, gesso, and composition overmantel mirror, second half 19th century, having a curved scrolled crest with fl

American Rococo Revival Mahogany Tester Bed mid-19th century, attributed to the warerooms of Prudent Mallard, New Orleans, with a complex serpentine and arched canopy, the paneled headboard with a bro

Pair of American Rococo Revival Rosewood Console Tablescirca 1860each elaborately carved with fruit, a cartouche shield, foliate, and an urn29 x 69 x 27 inchesProvenance: Private Collection, Uxbridge,

A Large American Rococo Revival Walnut Cheval Mirrorlate 19th century85 x 53 x 30 1/2 inchesProvenance: Private Collection, Germantown, Tennessee

American Rococo Revival Dining Chairs Attr. to Henkels. George J. Henkels,Comprising twelve side chairs and one armchair; laminated rosewood with carved balloon backs, salmon brocade upholstery; some

American Rococo Revival Rosewood and Marble-Top Center Table third quarter 19th century, attributed to Charles Baudouine, New York, the shaped top with conforming Rosso Imperiale marble, with a pierce

Made In Philadelphia, Circa 1850. Each Chair On Rotating Pedestal. Finely Carved Throughout With Medallion Backs, Carved Crests And Arms Terminating In Masques Of Grotesques. A Similar Example Is Amon

American Rococo Revival Laminated Rosewood Sofa third quarter 19th century, in the manner of John Henry Belter, New York, the elaborate crest rail pierced and carved with conjoined scrolls, cornucopia