AFTER SHIBATA ZESHIN (1807-1891) An Urushi-e (Lacquer Painting) of a Maple TreeMeiji era (1868-1...

AFTER SHIBATA ZESHIN (1807-1891) An Urushi-e (Lacquer Painting) of a Maple Tree Meiji era (1868-1912), circa 1872-1890 Colored urushi (lacquer) on paper, mounted in silk and paper as a kakejiku (hangi

SHIBATA ZESHIN (1807-1891) A Black-Lacquer Tray Meiji era (1868-1912), late 19th century The rectangular tray with slightly rounded walls and a stepped rim lacquered with an seidō-nuri ground, th

STYLE OF SHIBATA ZESHIN (1807-1891) A Lacquer Tonkotsu (Tobacco Container) in the Form of an Ink Cake Edo period (1615-1868) or Meiji era (1868-1912), 19th century Of rectangular section with internal

SHIBATA ZESHIN (1807-1891) Cormorant Fishing Meiji era (1868-1912), circa 1880 Hanging scroll, painted in ink and colors on silk, depicting in the foreground two cormorant fishermen and their assistan

AFTER SHIBATA ZESHIN (1807-1891) Samurai Mouse Chasing Off Demons Edo period (1615-1868), 1864 A hanging scroll brushed in ink, light color, and gold, depicting a white mouse dressed in formal samurai

A SMALL LACQUER TRAY DEPICTING EGRETS UNDER A WILLOW TREE Edo period (1615-1868) or Meiji era (1868-1912), 19th century Of rectangular form with shallow rim, of hiramaki-e, takamaki-e, and tsuishu lac

A SET OF GOLD-LACQUER BOXES Meiji era (1868-1912) Comprising a rectangular box with inrōbuta (flush-fitting) lid, the box fitted with a kakego (interior tray) and containing four smaller rectangu

19th century oil on canvas marine painting depicting an American yacht race with 3 yachts and many sailors on board. Possibly signed indistinctly in lower right, however clearly signed in old ink on b

IOKI BUNSAI (1863-1906) Nikko Toshogu Honden Meiji era (1868-1912) A painting in oil on canvas of a green-robed Shinto priest descending the stairs in front of the Karamon gate of the main hall of the

This painting is being attributed to Edward F.Green (c.1767 - 1851). Painting is signed in the rock bottom middle of painting "E. F. Gre..." 27 1/2" x 35 1/2". Painting has been relined, wonderful col

A BLACK-LACQUER COMBINED WRITING BOX AND DOCUMENT BOX Meiji era (1868-1912), late 19th/early 20th century A rectangular ryōshibako or bunko with inset rounded corners and edges and inrōbuta

ROKUZAN (ACTIVE LATE 19TH CENTURY) A Large Satsuma Jardinière Meiji era (1868-1912), late 19th century The jardinière and matching stand of earthenware molded on the surface with koi fish in

A Ming Dynasty Hardstone-Inlaid Gilt Bronze Figure of Buddha 15th C. Dimensions: 11 1/2 x 7 x 5 1/2 in. Provenance: Samuel E. Wilson(1891-1965), thence by descent. Acquired whilst living in China in t

YŪI WORKSHOP (ACTIVE LATE 19TH CENTURY) A Large Inlaid-Bronze Vase Meiji era (1868-1912), late 19th century The tapering ovoid body worked in iro-e takazōgan and hirazōgan with a rooste

A Neolithic Period Qijia Culture Jade Cong. Dimensions: 5 x 4 1/2 x 4 1/2 in. Provenance: Samuel E. Wilson(1891-1965), thence by descent. Acquired whilst living in China in the 1920's working as a jou

A Song Dynasty Qingbai Figure of Guanyin. Dimensions: 9 1/4 x 4 3/4 x 3 1/2 in. Provenance: Samuel E. Wilson(1891-1965), thence by descent. Acquired whilst living in China in the 1920's working as a j

A Western Zhou Dynasty Inscribed Bronze Ritual Food Vessel Yu. Dimensions: 7 3/4 x 6 3/4 x 4 1/2 in. Provenance: Samuel E. Wilson(1891-1965), thence by descent. Acquired whilst living in China in the

A Shang Dynasty Bronze Ritual Food Vessel Ding. Dimensions: 8 x 6 3/4 x 6 1/4 in. Provenance: Samuel E. Wilson(1891-1965), thence by descent. Acquired whilst living in China in the 1920's working as a

Two gold ojime One by Katsuhira and one by Kiyotoshi, Meiji era (1868-1912), late 19th/early 20th century The first Daikoku, standing, brandishing his mallet, signed Katsuhira, 1.7cm (11/16in) high; t

Eugenio Edouardo Zampighi (Italian, 1855-1944) "Bath Time" Large Oil on Canvas. signed "E. Zampighi" (lower right). Frame: 38.1/2" x 30", Painting: 29.1/2" x 21.1/4"

Oil painting 27 1/4 x 27 1/4 in framed, Art 24 3/4 x 24 3/4 in. Attributed to Alma Woodsey Thomas (September 22, 1891 – February 24, 1978) was an African-American Expressionist painter and art educa

LEE, Robert E. (1807-1870). Autograph letter signed ("R. E. Lee"), as Commander of the Army of Northern Virginia, to James Longstreet, Confederate General. Camp, 28 September 1864.  1 page,

Pair of Chinese black lacquered lift-top boxes, decorated with images of dragons and clouds, with Chinese character writing to top and silk lined interiors, each 1 1/2" H x 11" L x 8 1/2" W. Each box

An Inscribed Ming Dynasty Gilt Bronze Figure of Vajradhara 15th C. Dimensions: 12 1/4 x 8 1/2 x 7 in. Provenance: Samuel E. Wilson(1891-1965), thence by descent. Acquired whilst living in China in the