[ARCHITECTURE]. PAIN, William and James. Pain’s British Pal...

[ARCHITECTURE]. PAIN, William and James. Pain’s British Palladio: or, The Builder’s General Assistant… London: Printed for I. and J. Taylor, 1797. Tall folio. (Title–page and f

1794 1ed Practical House Carpenter 146 Architecture Plates Construction Plans Pain William Pain was an 18th-century English architect known for his extensive pattern and construction books. He designe

attributed to WILLIAM CLARK (Scottish 1803-1883) A PAINTING, "British Steamer, Buffalo," oil on canvas. 21 1/4" x 40 1/2"

William James Müller (British, 1812-1845) Carpet bazaar, Cairo signed and dated 'W. Muller 1843' (lower left) oil on board 60.5 x 43cm (23 3/4 x 17in). Footnotes: A very similar composi

William James M&#252;ller (British, 1812-1845) Mandraki harbour, Rhodes signed 'WJMuller' (lower left) oil on canvas 51 x 76cm (20 1/16 x 29 15/16in). unframed Footnotes: Provenance</

William James Grant (British, 1829-1866) The bridge of sighs oil on panel, circular 13 x 13cm (5 1/8 x 5 1/8in). Footnotes: The subject of this work is taken from Thomas Hood's poem The Bridg

In the Manner of William James Blacklock (British, 1815-1858) A Pair of Landscapes. Each an oil on board, bearing signature lower center Each: 14" x 12" Frames: 18" x 16"

Pain (William) The Builder's Companion and Workman's General Assistant, second edition, 88 engraved plates numbered 5-92 as issued, 5 folding, offsetting and spotting to plates, small patch of margina

WILLIAM JAMES MULLER, (BRITISH, 1812-45), OIL ON CANVAS, H 32", W 53", "AFTERNOON IN LYCIA" Signed and dated 1843 lower left. identification tag with title is on the gilt frame (frame size: 37" x 59")

2 British watercolors and 1 French print- 1 & 2). Attrib. William James Muller (British 1812-1845)- ''Jebel Mousa Summit of Mount Sinai'' & ''Memnonium''- 2 watercolors on paper. 11 1/2 x 16 1/2'' tog

"A Mountain Torrent", a mountain landscape with figures, depicting a bridge over a rough river, by William James Muller (British, 1812-1845). Bears Malcolm Innes Gallery label. Provenance: Christie's

Attributed to William James Hubard (British/American, 1807–1862) 19th Century Silhouette 1820-1840. Gold highlights, birdseye maple frame. Framed 7 x 6 Hubard Gallery label on reverse. (CHECK??

14 x 14 x 3 inch metal frame clock, Lin-X was a Sherwin Williams Pain Product, 1940s era. Clock face in great condition with strong color, working with free moving hands, frame needs cleaning, light a

A set of 12 Royal Crown Derby Hand Painted Nautical Plates by listed artist W E J (William Edward James) Dean, British, ?-1956, in the Vine Emerald pattern with gold trim. {KLEA6029/12} (TC ) Dimensio

A James William Stamper (British, 1873-1947) still life oil on canvas painting depicting various fruit and vegetables with a cognac bottle. Signed in the lower right corner. Presented in a wooden fram

William Derby (British, 1786-1847) James Scarlett, Esq., M.P signed and dated 'W.Derby/Pinx/1826' (lower left) and inscribed 'J Scarlett Esq/MP' (on papers centre left); further inscribed with sitters

Lucien Whiting Powell (American, 1846-1930), "Classical Landscape with Ruins, Figures and Pond", oil on canvas, after James Mallord William Turner (British, 1775-1851), signed and inscribed "After J.M

William Strang (British, 1859-1921), "James Craig Annan," 1916, drypoint etching, pencil signed lower right, titled lower left, plate initialed and dated lower left, state II/II from an edition of 40,

Two early 19th century Bronze portrait plaques. Depicting the 18th century British Political foes Charles James Fox and William Pitt. Some minor damage to frame. Framed together in an Ebonized paper m

Pain Bullet chewed / Hospital Williams Cleaner excavated at Gettysburg Pa.

Michael James Smith (British, b 1976) English landscape painting "A Fine Day in Prospect", oil on canvas, signed "Michael James Smith", 24" x 30-1/2", framed 30-1/4" x 36-3/4", excellent condition, sm

John Hoppner, R.A. (British, 1758-1810), "Portrait of a Gentleman Identified in the Dillon Collection as Hon. James William Dillon (1792-1812), Son of Charles Dillon, the 12th Viscount", ca. 1808, oil

After William Fisher (British, 1817-1895) , "Field Marshal John Colborne, 1st Baron Seaton", c. 1864, mezzotint, engraved by James Scott (British, 1809-1889), published by Henry Graves, London, "Print

hand-colored etching and aquatint, 1785, presented in uniform matting and framing. Image Size 12 3/8 x 9 1/2 in.; DOA 19 1/2 x 16 1/8 in. The Estate of William Lee Pritchard, M.D., Charlotte, NC Addit