James Orrock (1829-1913)Watercolour' Study of blue

James Orrock (1829-1913)Watercolour' Study of blue water off Aran ' Ireland Signed lower right and labelled ( and titled) verso13 1/2 x 20 1/4"

Ruth Vincent 1829 Blue and Neutral Masonic Coverlet. Attributed to James Alexander, Orange County, NY. "Agriculture and Manufactors Are The Foundation of Our Independence. July 4, 1829". Border signed

JAMES CHAN LEONG (AMERICAN, B. 1929). PAINTING ON BOARD. 10 X 30 1/4 INCHES. TITLE *STUDY IN BLUE* IS CROSSED OUT AND RENAMED *BEGINNING*.

(2) JAMES GIBSON FLORIDA HIGHWAYMEN NIGHT SCENES James Gibson (American, b.1938), Florida Highwaymen artist, (2) oil on board, blue studies of a nighttime beach scene. Both signed in the lower right c

(lot of 6) Unframed sketches and preparatory drawings, Henry James Soulen (American, 1888-1965), including: (1) graphite on paper, Explorer, signed in blue ink Henry J. Soulen, (1) graphite on paper,

TWO HISTORICAL BLUE STAFFORDSHIRE PLATTERS: CLEWS NEWBURGH, HUDSON RIVER AND CANOVA PATTERN. Including ‘Picturesque Views of the Hudson River” by James and Ralph Clews (1829-1856), depicti

J. James Akston (American, 1898-1983). Mid Century Modern custom made wool rug / area rug. Features an Abstract study in colors of beige, yellow, navy blue, brown, gray. Artist signature woven into lo

Richard Wilson, R.A. (British, 1713-1782), L'Anconetta with Venice beyondoil on canvas, unsigned, circa 1762, retains remnants of a piece of James Orrock's writing paper of 48 Bedford Square, London,

James Suzuki (b. 1933). Oil on canvas titled Blue Goose. Painting is signed and dated '67 along the lower right. Provenance: Graham Gallery, New York. Dimensions: Unframed; height: 17 in x width: 21 i

Beautiful oil on board painting by listed Indiana artist George LaChance (1888-1964). The painting is titled "A Study In Blue" and features a Brown County Indiana landscape . Unsigned, artist tag on v

James Bidgood Blue Boy; Apache; Pan; Willow Tree (four works) 2002C-print image (largest): 9.875 h x 7.75 w in (25 x 20 cm) image (smallest): 7.75 h x 7.75 w in (20 x 20 cm) sheet (each): 10 h

James Bearden (American, b. 1964) Blue Birds enameled and patinated steel, glass and bronze with polychrome clear coat signed with welded JB mark to base 70"h x 22"w x 15"d

James Doolin Study for Snake Shed 1982oil on canvas 18 h x 20 w in (46 x 51 cm) Signed, dated and inscribed to verso 'James Doolin Inyokern 1982'. This work will ship from

OMEGA SEAMASTER 40 YEARS JAMES BOND BLUE DIAL WATCH. Dial 4.5cm incl crown

OLD MASTER RED CHALK FIGURE STUDY ON BLUE PAPER UNSIGNED (26" X 20 1/2" OVERALL (19 1/2' X 15" SIGHT SIZE)

James Gibson (1938-2017) Vintage Highwaymen painting of a Florida night river landscape with moon lit sky, palms, and birds. Signed lower right. Measures 29" x 22" on upson board & 31.5" x 25" w/ fram

Description ALEXANDER JAMES (1890-1945) Study for The Third Rung, c. 1941, Pastel Dimensions 24 1/2 x 18" sight, 32 x 25 1/4" framed Artist or Maker Alexander James Medium Pastel

Edwin Long (British, 1829-1891) Study for Ruth Gathering Wheat oil on canvas monogrammed EL (lower left) 52 x 42 inches. The authenticity of this lot has kindly been confirmed by Mark Bills, Director

This very rare original poster is appearing in our auction for the first time! It advertised the amazing lineup of Jethro Tull, the James Cotton Blues Band, the Allman Brothers, and more playing at th

Euan Uglow (British, 1932-2000) Study for "The Blue Towel," 1982-1983 graphite on paper 6 1/2 x 7 1/4 inches.

James Weeks Comedians, Study for Judgment of Paris 1963oil on board 16.5 h × 17.5 w in (42 × 44 cm) Signed to lower right 'JW'. Signed, titled and dated to verso 'Comedians Study for Judgmen

William James Grant (British, 1829-1866) The bridge of sighs oil on panel, circular 13 x 13cm (5 1/8 x 5 1/8in). Footnotes: The subject of this work is taken from Thomas Hood's poem The Bridg

Five Gallon Crock, James Franklin Seagle (1829-1892 Lincoln County, NC)alkaline glazed stoneware of a highly ovoid form with rounded rim and short neck, dark glossy glaze with evidence there may have

James Hayllar (British, 1829-1920) Oil on Canvas 1879, signed and dated lower right, depicting male and female figures in a forest including an architectural structure visible in the background betwee