Shiro Kuramata. Umbrella stand, designed in 1986.

Umbrella stand in powder-coated and chromed metal by Shiro Kuramata for Pastoe, Netherlands, ca. 1987.

Chrome-plated steel and enameled metal. Japanese circa 1987. Provenance: MoMA. Dimensions: H 35"x W 19" Condition: Nothing to Note

Shiro Kuramata for Vitra Nickel Plated Steel Mesh 'How High the Moon' Arm Chair With two labels on the underside: '... Vitra' and '...09.91...HOW HIGH THE'. 28 1/2 x 37 x 32 in. Note: Designed in 1986

Aesthetic Period Cast Iron Umbrella Stand Designed by Christopher Dresser and marked by maker Falkirk, English Circa 1880 - approx 73" x 25" x 10"

Austria/Italy, 1904/1980s perforated and enameled steel 15 1/4" x 8" x 8" Umbrella stand designed by Josef Hoffmann, reissued by Bieffeplast. Manufacturer's decal to underside [J. Hoffmann by bieffepl

Umbrella stand, 1986 cm h 49x23 pierced enamelled white metal.Italian edition of iconic pieces of Wiener Werkstatte.Bieffeplast Manufacture

Italian mid-century modern plastic "Dedalo" umbrella stand, designed by Emma Gismondi Schweinberger (Italian, b.1934) for Artemide, c.1960s, domed form with seven openings, discoloration, approx 13.5"

Model "Dedalo" iconic Space Age plastic umbrella stand, designed by Emma Gismondi Schweinberger for Artemide, Italy, c. 1970's. Signed underneath. Dimensions: H 14" x Dia. 15" Condition: Natural tonin

Shiro Kuramata (1934-1991)Just in TimeClockMelamine, wood and fabricTitled, dated and signed on the back 'Just in Time 1986 Shiro Kuramata'Model created in 1986H 52 × L 37 × W 3 cmBibliograp

Piero Fornasetti Umbrella stand, model Gentlemen. Designed around 1960. Metal and brass H. 57 x D. 26 cm. With 'Fornasetti Milano, Made in Italy' on the bottom.

Antique ornate Japanese bronze bird and floral designed umbrella stand. [11" Dia x 23 3/4" H].

Minton & Co. Majolica Stork Umbrella or Walking Stick Stand Designed circa 1875, modeled by John Henk, model no. 1916 Height 39 3/4 inches. See Majolica: A Complete History and Illustrated Survey by M

This a fantastically designed spiral umbrella stand. Size: 25 x 12 in. Please note that all sales are final. No refunds will be given under any circumstances.

Weller Pottery Flemish Line Umbrella Stand, Zanesville, Ohio, the Line Designed by Rudolph Lorber, Introduced in the Early 1900's and Produced Until Circa 1928. Of cylindrical form, divided into panel

Piero Fornasetti (Italian, 1913-1988) Designed "Vasi Antichi" Umbrella Stand, with a curved front, designed with black and white prints of classical vases, some with added color, labeled "Fornasetti-M

A Kosta Boda Swedish art glass vase or umbrella stand in the Caramba pattern, designed by Ulrica Hydman Vallien (1938-2018). Mouth blown amphora form glass body hand painted in an abstract design insp

A vintage red acrylic trash can or umbrella stand with a simple cylindrical form designed by Gino Colombini for Italian plastics manufacturer Kartell. Includes removable chrome ashtray insert and two

Shiro Kuramata, 'How High The Moon' easy chair, 1986, H. 72.5 x 95 x 83.2 cm. Made by Vitra Design, Weil/Rhine, c. 2000. Nickel-plated expanded metal., Fiell, 1000 Chairs, Cologne 1997, p. 575.

H. 72.5 x 95 x 83.2 cm. Made by Vitra, Birsfelden. Nickel-plated expanded metal. Literature: Fiell, 1000 Chairs, Cologne 1997, p. 575.

Shiro Kuramata. 'How high the Moon' easy chair, 1986. H. 72.5 x 95 x 82 cm. Made by Vitra, Weil am Rhein. Nickel-plated expanded metal.

DESCRIPTION: A Victorian celadon porcelain umbrella stand with scrolling floral relief in white. Designed with five umbrella holding rings with center cavity. CIRCA: Early 20th Cent. ORIGIN: French DI

Shiro Kuramata (Japanese, 1934-1991) for Vitra, Switzerland. "How High the Moon" armchair. 1986. Nickel-plated steel mesh. Original Vitra label along the base. This chair is a reimagining of

SHIRO KURAMATA (1934-1991) & ISHIMARU (ÉDITEUR)Chaise tripode, modèle R108, créé en 1986, structure en métal tubulaire laqué noir, assise circulaire en contreplaqué

Of lobed form, designed to mimic the appearance of bamboo, this design reflects the plant's esteemed status in Chinese culture, where it symbolizes resilience, elegance, and various virtues. Bamboo is