Rembrandt van Rijn (1606-1669) The Adoration of the Shepherds: A Night Piece

Rembrandt Van Rijn (1606-1669 Netherlands) etching and drypoint "Adoration of the Shephards: A Night Piece" circa 1652. Bequest of John Bass to the Bass Museum of Art collection. Image size measures 6

Etching and drypoint. New Hollstein's ninth state (of 11). 1657 152x197 mm; 6x7 3/4 inches, narrow margins. Bartsch 46; New Hollstein 300.

Rembrandt Van Rijn (1606-1669 Dutch) ''The Star of Kings: A Night Piece'' 1651 Etching and Drypoint on Wove Paper 3.62''x5.62'' Impression. Catalog Biorklund II/II, Usticke VI/VII, Bartsch 113, Boon 2

**Originally Listed At $200** Rembrandt van Rijn (Dutch, Leiden 1606-1669 Amsterdam),"The Night Watch" (The Company of Captain Frans Banning Cocq), painting 1642, possibly etched by Charles-Albert Wal

Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat

Rembrandt Harmenszoon van Rijn (July 15, 1606 – October 4, 1669) was a Dutch painter and etcher considered one of the greatest artists in European history. He is known for his mastery of light and s

Rembrandt Van Rijn (1606 - 1669) Clement de Jonghe, printseller, 5th or 6th state etching signed in etching Rembrandt sheet size: 8 3/8" x 6 1/2" Provenance: The Gordon Galleries label on back, Estate

Rembrandt Van Rijn (1606 - 1669 Netherlands) 'Jan Lutma, Goldsmith' 17th Century Etching. Plate signed 'Rembrandt F, 1656' in upper right window. Trimmed to image with paper measuring 7.75x5.75'', fra

etching and drypoint; signed in plate; Condition: slight mat burn; not examined out of frame; 6 x 4 1/4 inches image

A 19th c. printing "Self-Portrait in a Flat Cap and Embroidered Dress" with '"Rembrandt" on upper left. Bartsch 26. plate measures 9.3 x 6.1 cm (3.75 x 2.5 in.). Etching, from the plate. Published in

Etching on laid paper with wiremarks. “The Card Player” 1641, (Bartch 136). 95 x 83 mm. Unknown state.

Etching on laid paper, 19th c. printing from original plate. "Jean Lutma, Goldsmith" (Bartsch 276) Measures: 19.5 x 14.6 cm plate. Provenance: Alfred and Maria Tarski, Berkeley, California; then by fa

Beautiful Rembrandt Harmenszoon Van Rijn etching, "Autoritratto col berrero spesso". Frame: 18 x 13 inches, art: 3 x 2.5 inches. Provenance: private owner. Biography: 1606 - 1669. Rembrandt was born i

Rembrandt Harmenszoon Van Rijn (1606 - 1669). "Man at a Desk Wearing a Cross and Chain", etching. Sight Size: 6 x 4 inches.

etching on laid paper; unsigned Plate: 2 5/8 x 2 1/4 in. (6.7 x 5.7 cm.), Sheet: 9 3/4 x 5 3/4 in. (24.8 x 14.6 cm.)

Nice Rembrandt Harmenszoon Van Rijn 1606 - 1669 etching, "Rembrandt in a cap and feather", "Rembrandt avec trois crocs". Frame: 18 x 13 inches, art: 3 x 2.5 inches. Provenance: private owner. Biograph

Rembrandt van Rijn ( 1606 - 1669 ) Original Etching, Measures (8 x 5.5 inches) w/frame (14 x 12 inches)

A later printing by Theo Beerendonk (1905 - 1979) after Rembrandt's etching, on laid paper. Signed and dated in the plate lower right Rembrandt f. 1641.15.1 x 21 cm. Bartsch 313.

Gravure on laid paper. B182 Measures: Plate 9.1 x 7.3 cm

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt van Rijn (1606-1669)Death Appearing to a Wedded Couple from an Open GraveEtching and drypoint, 1639, a delicate and excellent impression of the only state of this rare print, with wiping mar

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, an excellent impression of New Hollstein's third state (of six), still printing wi