Thomas Fairland (British 1804-1852) After Benjamin West (British/American 1738-1820)

Wm. Woollett, naval battle colored engraving, William Woollett (British, 1735-1785), "The Battle at la Hogue", after Benjamin West (British, 1738-1820), publisher Woolett & Hall, London, 19"h x 24"w (

Benjamin West (American/British, 1738-1820), "Figure Studies", ink on paper, unsigned, pencil-inscribed "Benj West" en verso, "Covent Garden Gallery Limited, St. James's" stamp and "Gander & White Shi

Benjamin West. (1738 - 1820). Christ Rejected. Antique Steel Engraving on wove paper after the original oil on canvas by master engraver James Henry Watt (British, 1799-1867). 1834. Signed in the plat

John Raphael Smith (1752-1812, UK) framed and matted pencil on paper titled "Mr. West" (Benjamin West 1738-1820) showing West with a powdered wig sitting at a candle lit table. 8" x 8" ss / 12.5" x 12

West (Benjamin, 1738-1820) Two studies for the 'The Death of Nelson', black and white chalk on grey oatmeal paper with watermarks of encircled fleur-de-lys, each sheet approx. 385 x 260 mm. (15 1/8 x

(English, 1738-1820), signed l.r. "B. West 1816," portrait of John Walton. Sight size: 35-1/2"h x 27-1/2"w. Provenance: Property sold for the benefit of the Newark Museum Acquisition Endowment.

Title: The Light Medium: Watercolor Painting Size: 4.5" x 7" Frame Size: 12.5" x 14.5" Age: 18th Century Condition: This artwork is in great condition. Artist: Benjamin West Great for collection or ho

Manner of Thomas Beach (British, 1738-1806) Late 18th/Early 19th Century Peter Ryves Hawker, Colonel of H.M.'s First Troop of Horse Guards oil on canvas signed Beach pinxit/ 1788 (lower left) 28 1/2 x

*** START PRICE IS THE RESERVE *** BAINES, Thomas (1820-1875). British Camp in the Amatolas. Oil on card. 6 5/8" x 10 1/8" sheet, 12" x 16" framed

Washington Friend (British/American, 1820 - 1886), Niagara Falls From Above with railroad and train on bridge in background, watercolor on paper, possibly signed faintly lower left, sight size 22 1/2"

Washington Friend (British/American, 1820 - 1886), View of Niagara Falls, Summer 1850, watercolor on paper, signed lower left W.F. Friend, old labels on back, 23" x 48".

THOMAS HILL (BRITISH-AMERICAN, 1829-1908 YOSEMITE LANDSCAPE, oil on canvas, of impressive size, an atmospheric view of Half Dome at twilight from the Merced River, signed lower right on boulder. House

Sir Thomas Lawrence (British, 1769-1830) Two Works: Portraits of Sir Robert Baker and His Brother, Captain John Baker circa 1820 pastel on paper 11 1/4 x 9 1/4 inches. Both inscribed on reverse, ident

After Thomas Cole (British-American, 1801-1848) "Youth" from the Voyage of Life series, oil on canvas, late 19th / early 20th century copy. Image: 28.5" H x 39.25" W; frame: 35.5" H x 46" W x 2.25" D.

After Thomas Moran (British/American, 1837-1926) Grand Canyon of Arizona, from Hermit Rim Road, 1912 color lithograph signed and dated in plate lower left copyright 1913 by the Atchison, Topeka & Sant

Thomas Birch School Marine Oil Painting Antique Hudson River British American Luminist Sailboat Ships Harbor Seascape Winsor Newton London Panel Estate Discovery. Oil on panel. Unsigned. In the manner

(British/American, 1783-1872). Sitter possibly Ann or Elizabeth Sparks, Philadelphia. Monogrammed and dated "TS 1856" on verso, 24 1/4 x 20 1/4 in., framed.

Harold James Cleworth (British/American, b. 1935), EXK 6, 1982, acrylic on canvas, signed and dated lower right, canvas (unframed): 30"h x 40"w. Provenance: Property from the estate of Thomas J. Perki

John Frederick Herring Jr (British, 1820-1907) A SOW WITH HER PIGLETS $15,000. - 20,000. Oil on panel, 10" x 12" Signed, dated 1853 $15,000. - 20,000.

Peter Caledon Cameron (British, 1852-1934) "Niagara Falls in Winter", 1885 oil on canvas signed and dated lower left. Framed. 11-3/4" x 29-3/4", framed 21" x 38" Provenance: Hulbert Harrington (H. H.)

Lionel Royer (British, 1852-1926), "The Ritual," oil on canvas, signed lower right, canvas: 23.25"h x 19.25"w, overall (with frame): 34"h x 30"w

Alfred de Breanski (British, 1852-1928) 'Untitled Landscape' Oil on canvas ; 24 x 36 (in) Signed Alfred de Breanski, lower right Marshall Field and Picture Co Galleries tag, verso

Copeland Majolica Figure of "Sloth and Mischief" fourth quarter 19th century, English, after artist L. A. Malempre (British, 1820-1888), decorated in naturalistic tones, on a turquoise cushion, marked

ARTIST: Henry Redmore (British, 1820 - 1887) NAME: Ships in Swells YEAR: 1871 MEDIUM: oil on canvas CONDITION: Few small paint losses along lower edge. Some craquelure. No visible inpaint under UV lig